“Sound remains one of the least explored areas within the flourishing field of memory studies. As a Czech-Polish memory venture, this book addresses a significant gap by mapping the polyphonic mnemoscape of World War II across diverse memory media. A landmark in memory studies.”Jie-Hyun Lim, Sogang University “This pioneering collection of essays brings together the historical intersection between sound, memory and war in new and innovative ways. The interdisciplinary approach adopted opens exciting avenues of inquiry and in so doing is an indispensable and invaluable volume in the field of sound studies and war.”Joy Damousi, University of Melbourne “This imaginative study challenges the visual bias that has long dominated memory studies, drawing attention to sonic icons that resonate across generations. Through its comparative, transnational and multisensory approach, it offers a vital contribution to memory studies, sound studies and post-socialist heritage research. It transforms the way we listen to the past."Ewa Domańska, Adam Mickiewicz University in Poznań; Visiting Professor, Stanford University