Prof. Dr. Benjamin Jörissen is a Full Professor of Education with a focus on Culture and Aesthetics and Chairholder of the UNESCO Chair in Arts and Culture in Education at the Friedrich-Alexander-Universität Erlangen-Nürnberg (Germany). The Chair’s research aims to contribute to an understanding of the role of cultural, aesthetic, and arts education in a transforming and diverse world. Fields of work include the development of an educational aesthetic and media theory, empirical research in postdigital culture including several research projects on digitalization in arts education, as well as UNESCO-related and postcolonial perspectives. Jörissen, amongst others, is a member of the European Academy of Sciences and Arts, member of the UNESCO UNITWIN Network Arts Education Research for Cultural Diversity and Sustainable Development, as well as a member of the German Council for Arts and Cultural Education (Rat für Kulturelle Bildung).Prof. Dr. Lisa Unterberg is professor for social work at IU University of Applied Sciences in Stuttgart (Germany). Until 2020, she worked as a post-doc researcher at the Chair of Education with a focus on Culture and Aesthetics at the University of Erlangen-Nuremberg and associated with the UNESCO UNITWIN network. She was the co-organizer of the international UNITWIN conference “Aesthetics of Transformation”, held in Nuremberg in 2018.Dr. Tanja Klepacki is the senior researcher at the UNESCO Chair in Arts and Culture in Education at the Friedrich-Alexander-Universität Erlangen-Nürnberg (Germany). Amongst others, she serves as executive manager of the Chair’s Academy in Nuremberg. Her fields of work include theoretical and empirical studies in the fields of cultural, aesthetic and arts education as well as in the realm of cultural sustainability and cultural transformations.

• Introduction.- Intangible Cultural Heritage: A challenge to aesthetic and cultural education.- Part I Research.- Arts and Digital Technology: Exploring responses in times of change.- Making Creative and Entrepreneurial Selves in Education: The governing of life in contemporary times.- Storying [post]qualitative inquiries, methods and pedagogies in/for/as arts based educational research.- Critical Incidents as a Participatory Research Approach for Transformative Cultural Practices.- Transcultural Aesthetic Practices in the Classroom: Sounds, spaces, bodies.- Transformation of traditional arts forms in the evolving contexts: Cantonese opera in Hong Kong as an example.- The transformation of the popular song as a tool for arts education and sustainability.- Part II Practices.- Arts and cultural practices for social transformation towards a sustainable peace building.- Culture and sustainability in situations of conflict: Artistic practices in West Africa.- Let's chat.- Arts education anddecolonization: Challenges and opportunities for cultural sustainability in the context of migration.- The transformation of museum exhibitions in the era of digital objects.- Museum and arts education: Interchange as practice in digital spaces.- Post-internet-art.- Part III Questions and Challenges.- Aesthetics of transformation: Questions to ask, Ideas to contemplate.- The Seoul agenda: A commentary.- Aesthetics, culture and transformation: An arts education perspective.- The autonomy of arts education: Perspectives of the council of cultural education.- Whose voices, bodies, objects and artefacts are we teaching, sustaining, learning of, asking students to practice in?.- The influence of neoliberalism on arts education.- Part IV Exploring transformations: Field trips.- Cultural education between processes of tradition and transformation: A theoretical introduction to the field-trip section.- From institution to subculture and back: A field trop to Komm/K4/Kunstlerhaus Nuremberg.- Commemorative culture in the age of globalization and (post-)migration?!.- Museum education in times of flight and (post)migration.- Field trip to the ;Villa Leon' and the children's museum.

Prof. Dr. Benjamin Jörissen is a Full Professor of Education with a focus on Culture and Aesthetics and Chairholder of the UNESCO Chair in Arts and Culture in Education at the Friedrich-Alexander-Universität Erlangen-Nürnberg (Germany). The Chair’s research aims to contribute to an understanding of the role of cultural, aesthetic, and arts education in a transforming and diverse world. Fields of work include the development of an educational aesthetic and media theory, empirical research in postdigital culture including several research projects on digitalization in arts education, as well as UNESCO-related and postcolonial perspectives. Jörissen, amongst others, is a member of the European Academy of Sciences and Arts, member of the UNESCO UNITWIN Network Arts Education Research for Cultural Diversity and Sustainable Development, as well as a member of the German Council for Arts and Cultural Education (Rat für Kulturelle Bildung).Prof. Dr. Lisa Unterberg is professor for social work at IU University of Applied Sciences in Stuttgart (Germany). Until 2020, she worked as a post-doc researcher at the Chair of Education with a focus on Culture and Aesthetics at the University of Erlangen-Nuremberg and associated with the UNESCO UNITWIN network. She was the co-organizer of the international UNITWIN conference “Aesthetics of Transformation”, held in Nuremberg in 2018.Dr. Tanja Klepacki is the senior researcher at the UNESCO Chair in Arts and Culture in Education at the Friedrich-Alexander-Universität Erlangen-Nürnberg (Germany). Amongst others, she serves as executive manager of the Chair’s Academy in Nuremberg. Her fields of work include theoretical and empirical studies in the fields of cultural, aesthetic and arts education as well as in the realm of cultural sustainability and cultural transformations.

• Introduction.- Intangible Cultural Heritage: A challenge to aesthetic and cultural education.- Part I Research.- Arts and Digital Technology: Exploring responses in times of change.- Making Creative and Entrepreneurial Selves in Education: The governing of life in contemporary times.- Storying [post]qualitative inquiries, methods and pedagogies in/for/as arts based educational research.- Critical Incidents as a Participatory Research Approach for Transformative Cultural Practices.- Transcultural Aesthetic Practices in the Classroom: Sounds, spaces, bodies.- Transformation of traditional arts forms in the evolving contexts: Cantonese opera in Hong Kong as an example.- The transformation of the popular song as a tool for arts education and sustainability.- Part II Practices.- Arts and cultural practices for social transformation towards a sustainable peace building.- Culture and sustainability in situations of conflict: Artistic practices in West Africa.- Let's chat.- Arts education anddecolonization: Challenges and opportunities for cultural sustainability in the context of migration.- The transformation of museum exhibitions in the era of digital objects.- Museum and arts education: Interchange as practice in digital spaces.- Post-internet-art.- Part III Questions and Challenges.- Aesthetics of transformation: Questions to ask, Ideas to contemplate.- The Seoul agenda: A commentary.- Aesthetics, culture and transformation: An arts education perspective.- The autonomy of arts education: Perspectives of the council of cultural education.- Whose voices, bodies, objects and artefacts are we teaching, sustaining, learning of, asking students to practice in?.- The influence of neoliberalism on arts education.- Part IV Exploring transformations: Field trips.- Cultural education between processes of tradition and transformation: A theoretical introduction to the field-trip section.- From institution to subculture and back: A field trop to Komm/K4/Kunstlerhaus Nuremberg.- Commemorative culture in the age of globalization and (post-)migration?!.- Museum education in times of flight and (post)migration.- Field trip to the ;Villa Leon' and the children's museum.

Prof. Dr. Benjamin Jörissen is a Full Professor of Education with a focus on Culture and Aesthetics and Chairholder of the UNESCO Chair in Arts and Culture in Education at the Friedrich-Alexander-Universität Erlangen-Nürnberg (Germany). The Chair’s research aims to contribute to an understanding of the role of cultural, aesthetic, and arts education in a transforming and diverse world. Fields of work include the development of an educational aesthetic and media theory, empirical research in postdigital culture including several research projects on digitalization in arts education, as well as UNESCO-related and postcolonial perspectives. Jörissen, amongst others, is a member of the European Academy of Sciences and Arts, member of the UNESCO UNITWIN Network Arts Education Research for Cultural Diversity and Sustainable Development, as well as a member of the German Council for Arts and Cultural Education (Rat für Kulturelle Bildung).Prof. Dr. Lisa Unterberg is professor for social work at IU University of Applied Sciences in Stuttgart (Germany). Until 2020, she worked as a post-doc researcher at the Chair of Education with a focus on Culture and Aesthetics at the University of Erlangen-Nuremberg and associated with the UNESCO UNITWIN network. She was the co-organizer of the international UNITWIN conference “Aesthetics of Transformation”, held in Nuremberg in 2018.Dr. Tanja Klepacki is the senior researcher at the UNESCO Chair in Arts and Culture in Education at the Friedrich-Alexander-Universität Erlangen-Nürnberg (Germany). Amongst others, she serves as executive manager of the Chair’s Academy in Nuremberg. Her fields of work include theoretical and empirical studies in the fields of cultural, aesthetic and arts education as well as in the realm of cultural sustainability and cultural transformations.

• Introduction.- Intangible Cultural Heritage: A challenge to aesthetic and cultural education.- Part I Research.- Arts and Digital Technology: Exploring responses in times of change.- Making Creative and Entrepreneurial Selves in Education: The governing of life in contemporary times.- Storying [post]qualitative inquiries, methods and pedagogies in/for/as arts based educational research.- Critical Incidents as a Participatory Research Approach for Transformative Cultural Practices.- Transcultural Aesthetic Practices in the Classroom: Sounds, spaces, bodies.- Transformation of traditional arts forms in the evolving contexts: Cantonese opera in Hong Kong as an example.- The transformation of the popular song as a tool for arts education and sustainability.- Part II Practices.- Arts and cultural practices for social transformation towards a sustainable peace building.- Culture and sustainability in situations of conflict: Artistic practices in West Africa.- Let's chat.- Arts education anddecolonization: Challenges and opportunities for cultural sustainability in the context of migration.- The transformation of museum exhibitions in the era of digital objects.- Museum and arts education: Interchange as practice in digital spaces.- Post-internet-art.- Part III Questions and Challenges.- Aesthetics of transformation: Questions to ask, Ideas to contemplate.- The Seoul agenda: A commentary.- Aesthetics, culture and transformation: An arts education perspective.- The autonomy of arts education: Perspectives of the council of cultural education.- Whose voices, bodies, objects and artefacts are we teaching, sustaining, learning of, asking students to practice in?.- The influence of neoliberalism on arts education.- Part IV Exploring transformations: Field trips.- Cultural education between processes of tradition and transformation: A theoretical introduction to the field-trip section.- From institution to subculture and back: A field trop to Komm/K4/Kunstlerhaus Nuremberg.- Commemorative culture in the age of globalization and (post-)migration?!.- Museum education in times of flight and (post)migration.- Field trip to the ;Villa Leon' and the children's museum.