Cultural Practices of Modern Chinese Buddhism

Francesca Tarocco is a Leverhulme Trust Research Fellow and a Lecturer in Buddhist Studies at the School of Arts, Histories and Cultures at the University of Manchester. She is the author of several studies on Chinese Buddhism and co-author of Karaoke: The Global Phenomenon (Reaktion 2007).

• Introduction: Modern Buddhist Cultures Part 1: The Cultural Practices of Buddhist Modernity 1.1 Shanghai Buddhism 1.2 Vegetarian Identites 1.3 The Esoteric Fever 1.4 Printing the Dharma 1.5 Continuities and Discontinuities 1.6 Buddhist Canons 1.7 Yang Wenhui 1.8 Awakening the Faith 1.9 Buddhist Books beyond China 1.10 Shanghai Publishers 1.11 The Romantic Buddhism of Su Manshu 1.12 Life and Death in Feng Zikai’s Drawings 1.13 The Buddhist Periodical Press 1.14 Buddhism, Religion and the Nation 1.15 Images of Modern Buddhism Part 2: The Sound of Modern Buddhism 2.1 Introduction 2.2 Li Shutong: From Shaghai to Tokyo, and Back 2.3 Songs of Nationalism 2.4 The Power of Songs 2.5 Hymns, Anthems and Songs 2.6 Songs of Modernity 2.7 Li Shutong ‘Leaves Home’ 2.8 Buddhist Songs 2.9 Buddhist Musical Ties 2.10 Continuities and Discontinuities 2.11 ‘Scientific Gadgets’: Buddhist Radio and Phonograph Recordings 2.12 Buddhist Songs in the Digital Age

'As a brief overview of the beginnings of modern Buddhist publishing and music it will be a valuable source for scholars of Religion in China. The book is particularly important for anyone studying the use of modern mass media by Chinese Buddhists.' - MARCUS GÜNZEL, Hsuan Chuang University, Taiwan, Journal of Chinese Religions, 2008