Cultural Mapping and Musical Diversity

Britta Sweers is Professor of Cultural Anthropology of Music at the Institute of Musicology (since 2009) and Director of the Center for Global Studies (since 2015) at the University of Bern (Switzerland). Sarah M. Ross is professor of Jewish music studies and director of the European Center for Jewish Music at the Hannover University of Music, Drama, and Media, Germany.

• Preface and AcknowledgementsIntroduction: Cultural Mapping and Musical Diversity Britta Sweers and Sarah M. RossPART I: The Method of Cultural Mapping Introduction: Britta SweersChapter 1 Kulturkreise, Culture Areas, and Chronotopes: Old Concepts Reconsidered for the Mapping of Music Cultures Today Marcello Sorce Keller, Independent ScholarChapter 2 Mancunian Irish: Identity, Cultural Intimacy, and Musical Hybridization-Urban Ethnomusicology and Cultural Mapping Svend Kjeldsen, University of LimerickChapter 3 Dying Language, Multi-Identity, and Music for the Young Pekka Suutari, University of Eastern FinlandChapter 4 Mapping "Inconvenient" Music Heritage Ana Hofman, Slovenian Academy of Sciences and ArtsPART II: Cultural Landscape and Music Introduction: Britta SweersChapter 5Landscapes and Flower Songs: Proposing the Hypothesis of Agriculturalist-Pastoralist Coalescence as the Origin of Hua'er Festivals Lukas Park, Independent ScholarChapter 6 Climate and Environment in Idelsohn's History of Hebrew Music Shai Burstyn, Tel Aviv University (retired)Chapter 7 Dancing the Landscape: Music, Place, Collective Memory, and Identity in a Highland Bolivia Pilgrimage Thomas Solomon, University of BergenChapter 8 "The Space of the Gong Culture in the Central Highlands of Vietnam": Old and New Directions in Ede Traditional Music Vincenzo della Ratta, Centre Asie du Sud Est PART III: The Politics of Intangible Cultural HeritageIntroduction: Sarah M. RossChapter 9 Historical Voices Reloaded: Rethinking Archival Responsibilities in Relation to Intangible Cultural Heritage Gerda Lechleitner, Austrian Academy of SciencesChapter 10 Intangible Cultural Heritage and Policy Making in Poland Marzanna Poplawska, University of WroclawChapter 11 Mapping and Representing Musical Diversity in Switzerland: The Role of Artists, Ethnomusicologists, and Officials Marc-Antoine Camp (Lucerne University of Applied Sciences and Arts), Brigitte Bachmann-Geiser (University of Music, Vienna), David Vitali (Federal Office of Culture, Switzerland), Dieter Ringli (Lucerne University of Applied Sciences and Arts), Patricia Jaggi (Lucerne University of Applied Sciences and Arts)Chapter 12 Tracing the Minhag Ashkenaz in Swiss Synagogue Music: Advocates of Intangible Cultural Heritage Meet Agents of Cultural Sustainability Sarah M. RossPART IV: Intangible Cultural Heritage: Case Studies Introduction: Sarah M. RossChapter 13 Flamenco for Andalusia, Flamenco for Humanity: Regionalization and Intangible Cultural Heritage in Spain Matthew Machin-Autenrieth, University of CambridgeChapter 14 Questioning Safeguarding: Heritage and Capabilities at Jemaa el Fnaa Square, Morocco Thomas Beardslee, Independent ScholarChapter 15 The Verbunk under the Impact of World Fame Zuzana Jurkova, Charles University Prague