Cultural History of the Avant-Garde in the Nordic Countries 1900-1925

• PrefaceIntroductionHubert van den Berg: The Early Twentieth Century Avant-Garde and the Nordic Countries – An Introductory tour d’horizonNordic Icons in the European Avant-GardesPer Stounbjerg: Rebels and Renegades – Strindberg, Artaud and the Avant-GardeErik Mørstad: Munch’s Impact on EuropeBodil Marie Stavning Thomsen: Die Asta and the Avant-GardeGeert Buelens: “the manifold in one/and the one manifold” – Asta Nielsen as an Icon for the European Avant-GardeNordic Artists in the European MetropolisesFrank Claustrat: Nordic Writers and Artists in Paris before, during and after World War IShulamith Behr: Académie Matisse and its Relevance in the Life and Work of Sigrid HjerténFrank Claustrat: Jean Börlin and Les Ballets SuédoisGertrude Cepl-Kaufmann and Anne M. N. Sokoll: “From the North comes the light to us!” – Scandinavian Artists in Friedrichshagen at the Turn of the CenturyJan Torsten Ahlstrand: Berlin and the Swedish Avant-Garde – GAN, Nell Walden, Viking Eggeling, Axel Olson and Bengt ÖsterblomHubert van den Berg and Benedikt Hjartarson: Icelandic Artists in the Network of the European Avant-Garde – The Cases of Jón Stefánsson and Finnur JónssonLocations of the Nordic Avant-GardeSven-Olov Wallenstein: The Avant-Garde and the MarketAndrea Kollnitz: Promoting the Young – Interactions between the Avant-Garde and the Swedish Art Market 1910-1925Vibeke Petersen: The Avant-Garde and the Danish Art MarketDorthe Aagesen: Art Metropolis for a Day – Copenhagen during World War IMargareta Tillberg: Kandinsky in Sweden – Malmö 1914 and Stockholm 1916Stefan Nygård: The National and the International in Ultra (1922) and Quosego (1928)Natalia Baschmakoff: Avant-Garde Encounters on Karelian Bedrock (1890s-1930s)Øivind Storm Bjerke: The Pavilion of De 14Claes-Göran Holmberg: flammanBjarne S. Bendtsen: Copenhagen Swordplay – Avant-Garde Manoeuvres and the Aesthetics of War in the Art Magazine Klingen (1917-1920)Torben Jelsbak: Dada CopenhagenTransmission, Appropriations and ResponsesClaes-Göran Holmberg: The Reception of the Early European Avant-Gardes in SwedenRikard Schönström: Pär Lagerkvist’s Literary Art and Pictorial ArtFredrik Hertzberg, Vesa Haapala and Janna Kantola: The Finland-Swedish Avant-Garde MomentsPer Stounbjerg and Torben Jelsbak: Danish ExpressionismLennart Gottlieb: Avant-Gardism Danish Style – Jais Nielsen as a Modern Genre Painter 1916-18Kristín G. Guðnadóttir: Jóhannes Kjarval’s Appropriation of Progressive Attitudes in Painting between 1917 and 1920Andreas Engström: The Modern Breakthrough in Swedish and Scandinavian Art MusicKaren Vedel: Dancing across CopenhagenPolitics, Ideology, DiscourseTorben Jelsbak: Avant-Garde Activism – The Case of the New Student Society in Copenhagen (1922-24)Timo Huusko: Finnish Nationalism and the Avant-GardeJulia Tidigs: Multilingualism and (De)territorialisation in the Works of Elmer DiktoniusAnna Maria Bernitz: Hilma af Klint and the New Art of SeeingThomas Henrikson: Art as a Revolutionary Dionysian Jaguar – Otto Ville Kuusinen, Elmer Diktonius and the Emergence of Avant-Garde Poetry in FinlandBenedikt Hjartarson: The Early Avant-Garde in IcelandEpilogueLegacies of the Early Nordic Avant-GardesAbstractsIndex

"With The Cultural History of the Avant-Garde in the Nordic Countries 1900-1925, the Nordic Network for Avant-garde studies has presented a generally impressive first volume of a cultural history of the avant-garde in Northern Europe on which continuation we will wait with excitement. We really wish for both the network and the publisher that they will have the necessary long breath to bring cultural history of northern European avant-garde to its end."By Stephan Michael Schröder (Köln), Nordeuropaforum, 2014 pp. 42-46.Full tekst available: http://edoc.hu-berlin.de/nordeuropaforum/2014-/schroeder-stephan-michael-42/PDF/schroeder.pdf