Cultural Commons and Urban Dynamics

Emanuela Macrì is a research fellow at the Department of Law, Economics and Sociology, Magna Græcia University of Catanzaro (Italy), where she teaches courses on political economy and cultural economics. Her research interests lie in the field of cultural economics with a focus on the impact of culture on health and education. Valeria Morea is a cultural economist at Erasmus University Rotterdam (the Netherlands), where she teaches courses on cultural economics, economic geography and cultural management. Her research interests focus on public space, public art, and the theory of commons. She is a contributor to the annual report on creative industries in Italy, released by the Fondazione Symbola. Michele Trimarchi is a professor of Public Economics at Magna Græcia University of Catanzaro (Italy), and teaches courses on cultural economics at Bologna University. He is a member of the editorial board of Creative Industries Journal, co-editor of the European Journal of Creative Processes in Cities and Landscapes, and associate editor of Journal of Public Finance and Public Choice.

• Part I: Urban Commons As A Response To Institutional Constraints.- Chapter 1. From Goods To Orders And Rules Of Governance: A Preliminary Exploration.- Chapter 2. Towards A Policy For The Cultural Commons.- Chapter 3. Urban Heritage As Cultural Capital, District And Commons: An Economic Perspective.- Chapter 4. Power In Networks And The Urban Space.- Chapter 5. Communing The Stage: The Complex Semantics Of The Theatre Commons.- Chapter 6. Public Art Today. How Art In Public Space Sheds Light On The Future Of The Theory Of Commons.- Part Ii: Art And The City: Dialogues Between Space And Community.- Chapter 7. The Rocking Cradle Of Creativity. Tales Of Inertia And Frictions, Cultural And Urban Transformations, Creative Actions.- Chapter 8. Public Space: Mapping The Physical, Social And Cultural Accessibility For The Creation Of Urban Commons.- Chapter 9. Enhancing Human And Urban Capital: A Value-Oriented Approach.- Chapter 10. The Social Aesthetics Of Cultural Commons.- Chapter 11. FromDigitalization To Crowdfunding Platforms: Fomenting The Cultural Commons.