Social Formations of Global Media Art, Taking a Line for a Walk, from the Abbasid Caliphate to Vector Graphics, Pou Rewa: The Liquid Post, Maori Go Digital?, Agents for Change: The Contemporary Art Centres of the Soros Foundation and C3, Old Contexts for New: Media Cultures (in Russia), Electronic Image: Identities and the Experience of Globalisation in the International Festival of Electronic Art – Videobrasil, New Technologies in Central American Contemporary Art: A Partial Archaeology and Some Critical Appreciations from the Institutional Realm, Electronic Art in Peru: The Discovery of an Invisible Territory in the Country of the Incas, Chinese Contemporary Video Art, Excavating Images on the Border, Analogue and Digital Anecdotes and Artworks from South Africa, Revisiting the Pirate Kingdom