Maria Mellins is an Associate Professor in Criminology, Sociology and Screen Media at St Mary’s University. She is also an Independent Stalking Advocacy Caseworker (ISAC).Sarah Moore is a Senior Lecturer in Sociology at the University of Bath, UK.

• 1. Introduction, Sarah Moore And Maria Mellins.- 2. The Deceased-Accused And The Victim As A Commodity: Jimmy Savile As A Case Study To Examine The Role Of Real-Crime Documentary In Reproducing Violence As Entertainment, Susanna Menis.- 3. ‘Don’t Let Netflix Tell You What To Think!’: Debates On Getting To Know The Accused/Convicted In Making A Murderer And Other Injustice Narratives, George S, Larke-Walsh.- 4. From ‘Forensic Narratives’ To ‘Narratives Of Forensics’: Telling Stories About The Murder Of Gay Gibson, Alexa Neale.- 5. In Consideration Of Serial Violence: The Perils Of Repetition And Routine In ‘True Crime’ Documentaries, Sarah Moore.- 6. ‘Stay Sexy And Don’t Get Murdered’: Depictions Of Female Victimhood In Post-Me Too True Crime, Megan Hoffman And Simon Hobbs.- 7. Stalking, The Media And Raising Public Awareness, Maria Mellins.- 8. Human Trafficking And Coercive Control: Representations In Media And Challenges In Legislation, Carole Murphy.- 9. ‘That Photograph’ – Serial Killer As Modern Celebrity, Ian Cummins, Marian Foley And Martin King.- 10. Real-Life Criminals And Crime Fictions: Adapting The Serial Killer As Gothic Monster In TV Drama, Brigid Cherry.- 11. Gender, True Crime And The Violent Subject, Louise Wattis.- 12. Feeding The Fascination: Crime-Related Tourism And The True Crime Museum, Hannah Thurston.- 13. Exploring The Presence Of The Digital Detective Within The True-Crime Genre And Its Online Spaces, Farhana Irshad.- 14.  Live Streaming Of Murder: Regulatory Responses And Challenges, Gregor Urbas.

Maria Mellins is an Associate Professor in Criminology, Sociology and Screen Media at St Mary’s University. She is also an Independent Stalking Advocacy Caseworker (ISAC).Sarah Moore is a Senior Lecturer in Sociology at the University of Bath, UK.

• 1. Introduction, Sarah Moore And Maria Mellins.- 2. The Deceased-Accused And The Victim As A Commodity: Jimmy Savile As A Case Study To Examine The Role Of Real-Crime Documentary In Reproducing Violence As Entertainment, Susanna Menis.- 3. ‘Don’t Let Netflix Tell You What To Think!’: Debates On Getting To Know The Accused/Convicted In Making A Murderer And Other Injustice Narratives, George S, Larke-Walsh.- 4. From ‘Forensic Narratives’ To ‘Narratives Of Forensics’: Telling Stories About The Murder Of Gay Gibson, Alexa Neale.- 5. In Consideration Of Serial Violence: The Perils Of Repetition And Routine In ‘True Crime’ Documentaries, Sarah Moore.- 6. ‘Stay Sexy And Don’t Get Murdered’: Depictions Of Female Victimhood In Post-Me Too True Crime, Megan Hoffman And Simon Hobbs.- 7. Stalking, The Media And Raising Public Awareness, Maria Mellins.- 8. Human Trafficking And Coercive Control: Representations In Media And Challenges In Legislation, Carole Murphy.- 9. ‘That Photograph’ – Serial Killer As Modern Celebrity, Ian Cummins, Marian Foley And Martin King.- 10. Real-Life Criminals And Crime Fictions: Adapting The Serial Killer As Gothic Monster In TV Drama, Brigid Cherry.- 11. Gender, True Crime And The Violent Subject, Louise Wattis.- 12. Feeding The Fascination: Crime-Related Tourism And The True Crime Museum, Hannah Thurston.- 13. Exploring The Presence Of The Digital Detective Within The True-Crime Genre And Its Online Spaces, Farhana Irshad.- 14.  Live Streaming Of Murder: Regulatory Responses And Challenges, Gregor Urbas.

Maria Mellins is an Associate Professor in Criminology, Sociology and Screen Media at St Mary’s University. She is also an Independent Stalking Advocacy Caseworker (ISAC).Sarah Moore is a Senior Lecturer in Sociology at the University of Bath, UK.

• 1. Introduction, Sarah Moore And Maria Mellins.- 2. The Deceased-Accused And The Victim As A Commodity: Jimmy Savile As A Case Study To Examine The Role Of Real-Crime Documentary In Reproducing Violence As Entertainment, Susanna Menis.- 3. ‘Don’t Let Netflix Tell You What To Think!’: Debates On Getting To Know The Accused/Convicted In Making A Murderer And Other Injustice Narratives, George S, Larke-Walsh.- 4. From ‘Forensic Narratives’ To ‘Narratives Of Forensics’: Telling Stories About The Murder Of Gay Gibson, Alexa Neale.- 5. In Consideration Of Serial Violence: The Perils Of Repetition And Routine In ‘True Crime’ Documentaries, Sarah Moore.- 6. ‘Stay Sexy And Don’t Get Murdered’: Depictions Of Female Victimhood In Post-Me Too True Crime, Megan Hoffman And Simon Hobbs.- 7. Stalking, The Media And Raising Public Awareness, Maria Mellins.- 8. Human Trafficking And Coercive Control: Representations In Media And Challenges In Legislation, Carole Murphy.- 9. ‘That Photograph’ – Serial Killer As Modern Celebrity, Ian Cummins, Marian Foley And Martin King.- 10. Real-Life Criminals And Crime Fictions: Adapting The Serial Killer As Gothic Monster In TV Drama, Brigid Cherry.- 11. Gender, True Crime And The Violent Subject, Louise Wattis.- 12. Feeding The Fascination: Crime-Related Tourism And The True Crime Museum, Hannah Thurston.- 13. Exploring The Presence Of The Digital Detective Within The True-Crime Genre And Its Online Spaces, Farhana Irshad.- 14.  Live Streaming Of Murder: Regulatory Responses And Challenges, Gregor Urbas.