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The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loe Fuller, George Balanchine, and Martha Graham.
- Format: Pocket/Paperback
- ISBN: 9781349458196
- Språk: Engelska
- Antal sidor: 243
- Utgivningsdatum: 2013-11-07
- Förlag: Palgrave Macmillan