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Drawing a link between music and what Maurice Merleau-Ponty calls the habit body – a quasi-transcendental structure at the heart of our perceptual, social, and agential being – this book helps articulate why music has the power to express as well as shape our existence at a fundamental level.
Rachel Elliott is a Doctoral Lecturer in Philosophy at CUNY, College of Staten Island, in New York City. This is her first book.
Chapter 1. Introduction.- Chapter 2. Musical Epistemology.- Chapter 3. Listening (Vignette).- Chapter 4. The Body in the Phenomenology of Perception.- Chapter 5. Singing (Vignette).- Chapter 6. Music and the Situated Body Schema.- Chapter 7. Dancing (Vignette).- Chpater 8. The Role of Others in Musical Experience.- Chapter 9. Per forming (Vignette).- Chapter 10. Transforming the Habit Body Through Music.- Chapter 11. Playing (Vignette).- Chapter 12. Conclusion.
