Del 6 - Studies in Medieval and Renaissance Music

Cristóbal de Morales

Sources, Influences, Reception

Inbunden, Engelska, 2007

879 kr

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A comprehensive survey of the music of Cristóbal de Morales, the leading Spanish composer of his time.Cristóbal de Morales was the most famous Spanish composer of the mid sixteenth century. His music was known internationally during his lifetime. He was eulogized by contemporary writers, and his fame and influence remained significant in the seventeenth century: sixty years after his death, he was still regarded as one of the finest composers of sacred polyphony. His repertory includes over twenty Masses and a very large number of motets and works in othersacred genres.This wide-ranging volume examines numerous aspects of the composer's works, and the Spanish and other contexts within which they were composed and received. Topics covered include sources, newly uncoveredworks and issues of authorship, musical traditions in Spain and elsewhere, the transmission and reception of Morales's music in Spain, Northern Europe and the New World, patterns of influence and emulation involving Morales and other composers, and modern perceptions of Morales and his music. The book also provides the first comprehensive published list of the composer's works and their sources.OWEN REES is Reader in the Faculty of Music at the University of Oxford; BERNADETTE NELSON is affiliated to Wolfson College at the University of Oxford.Contributors: CRISTLE COLLINS JUDD, MARTIN HAM, TESS KNIGHTON, KENNETH KREITNER, ALISON SANDERS MCFARLAND, MICHAEL NOONE, BERNADETTE NELSON, OWEN REES, STEPHEN RICE, EMILIO ROS-FABREGAS, GRAEME SKINNER, ROBERT STEVENSON, CRISTINA URCHEGUIA, GRAYSON WAGSTAFF

Produktinformation

Utgivningsdatum2007-07-19
Vikt1 106 g
FormatInbunden
SpråkEngelska
SerieStudies in Medieval and Renaissance Music
Antal sidor478
FörlagBoydell & Brewer Ltd
ISBN9781843833116

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Landmark Contributions to Cristóbal de Morales Scholarship - Robert StevensonThe Nuevo rezado, Music Scribes, and the Restoration of Morales's Toledo Lamentation - Michael NooneThe Nuevo rezado, Music Scribes, and the Restoration of Morales's Toledo Lamentation - Graeme SkinnerTwo Early Morales Magnificat Settings - Kenneth KreitnerMorales, Spanish Traditions, Liturgical Works, and the Problem of Style - Grayson WagstaffMorales' Contribution to the Pange lingua Tradition and an Anonymous Tantum ergo - Bernadette NelsonAnother Look at Polyphonic Borrowing: Morales, the Missa Quem dicunt homines, and the Missa Vulnerasti cor meum - Alison McFarlandMulti-layered Models: Compositional Approaches in the 1540s to Si bona suscepimus - Cristle Collins JuddMultiple Layers of Borrowing in Sancta Maria Motets by Morales and his Contemporaries - Stephen RiceMorales in Print: Distribution and Ownership in Renaissance Spain - Tess KnightonMorales at the Periphery: Dissemination of Motets in France, Germany, and the Low Countries - Martin HamMorales's Voice in the Viceroyalties - Robert StevensonCristóbal de Morales: A Problem of Musical Mysticism and National Identity in the Historiography of the Renaissance - Emilio Ros FábregasEditing Cristóbal de Morales's Masses Today - Cristina UrchueguíaMorales: The Canon - Martin Ham