Michael Arntfield is Associate Professor of Literary Criminology and Forensic Writing in the Department of English and Writing Studies at Western University, as well as a previous Fulbright Chair specializing in law and literature at Vanderbilt University. He is also a former police officer and is the founder and director of the Western University Cold Case Society. His PhD (also from Western) was conferred while he was still a serving police detective and focused on police murders in Canada and the United States.Marcel Danesi is Full Professor of Anthropology and Forensic Semiotics at the University of Toronto and a member of the Royal Society of Canada. He is the founder and director of the Centre for Research in Forensic Semiotics and a recognized international authority on semiotics, language, and ritual within criminal organizations, specifically the Sicilian Mafia.

• Contents: Michael Arntfield/Marcel Danesi: Introduction: Rise of the Criminal Humanist – James Johnston: A «notable newe Italionisme»: Providence, Plague, and the Final Words of the Criminally Condemned in The Unfortunate Traveller – Lee Mellor: Original Gangsta: Self-Conceptualization and Criminogenic Authenticity in Hip Hop Music – Yair Neuman/Yochai Cohen/James Knoll: Metonymy and Mass Murder: Diagnosing «Splitting» Through Automatic Text Analysis – Joan Swart: Psychopaths in Film: Are Portrayals Realistic and Does It Matter? – Trevor Grant: The Hammer and the Hummingbird: Spectating Crime Inside the Documentary Film – DJ Williams/John Edgar Browning: Looking Inside the Coffin: An Overview of Contemporary Human Vampirism and Its Relevance for Forensics Professionals – Sonia Halpern: A Yiddishe Cop: Jewish Identity, Police, and Prisoners in Contemporary Law Enforcement – Lee Mellor/Vivek Venkatesh/Jason Wallin/Tieja Thomas: Killing for Slender Man: The Emergence of an Electronic Gospel – Victoria Bigliardi: Crime as Curation: Understanding Crime Through the Lens of the Museum – Bethany K. Walters/Eric W. Hickey: Crime and the Canvas: Depicting Criminals and Their Punishments in the Visual Arts, from Antiquity to Present.

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Michael Arntfield is Associate Professor of Literary Criminology and Forensic Writing in the Department of English and Writing Studies at Western University, as well as a previous Fulbright Chair specializing in law and literature at Vanderbilt University. He is also a former police officer and is the founder and director of the Western University Cold Case Society. His PhD (also from Western) was conferred while he was still a serving police detective and focused on police murders in Canada and the United States.Marcel Danesi is Full Professor of Anthropology and Forensic Semiotics at the University of Toronto and a member of the Royal Society of Canada. He is the founder and director of the Centre for Research in Forensic Semiotics and a recognized international authority on semiotics, language, and ritual within criminal organizations, specifically the Sicilian Mafia.

• Contents: Michael Arntfield/Marcel Danesi: Introduction: Rise of the Criminal Humanist – James Johnston: A «notable newe Italionisme»: Providence, Plague, and the Final Words of the Criminally Condemned in The Unfortunate Traveller – Lee Mellor: Original Gangsta: Self-Conceptualization and Criminogenic Authenticity in Hip Hop Music – Yair Neuman/Yochai Cohen/James Knoll: Metonymy and Mass Murder: Diagnosing «Splitting» Through Automatic Text Analysis – Joan Swart: Psychopaths in Film: Are Portrayals Realistic and Does It Matter? – Trevor Grant: The Hammer and the Hummingbird: Spectating Crime Inside the Documentary Film – DJ Williams/John Edgar Browning: Looking Inside the Coffin: An Overview of Contemporary Human Vampirism and Its Relevance for Forensics Professionals – Sonia Halpern: A Yiddishe Cop: Jewish Identity, Police, and Prisoners in Contemporary Law Enforcement – Lee Mellor/Vivek Venkatesh/Jason Wallin/Tieja Thomas: Killing for Slender Man: The Emergence of an Electronic Gospel – Victoria Bigliardi: Crime as Curation: Understanding Crime Through the Lens of the Museum – Bethany K. Walters/Eric W. Hickey: Crime and the Canvas: Depicting Criminals and Their Punishments in the Visual Arts, from Antiquity to Present.

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Michael Arntfield is Associate Professor of Literary Criminology and Forensic Writing in the Department of English and Writing Studies at Western University, as well as a previous Fulbright Chair specializing in law and literature at Vanderbilt University. He is also a former police officer and is the founder and director of the Western University Cold Case Society. His PhD (also from Western) was conferred while he was still a serving police detective and focused on police murders in Canada and the United States.Marcel Danesi is Full Professor of Anthropology and Forensic Semiotics at the University of Toronto and a member of the Royal Society of Canada. He is the founder and director of the Centre for Research in Forensic Semiotics and a recognized international authority on semiotics, language, and ritual within criminal organizations, specifically the Sicilian Mafia.

• Contents: Michael Arntfield/Marcel Danesi: Introduction: Rise of the Criminal Humanist – James Johnston: A «notable newe Italionisme»: Providence, Plague, and the Final Words of the Criminally Condemned in The Unfortunate Traveller – Lee Mellor: Original Gangsta: Self-Conceptualization and Criminogenic Authenticity in Hip Hop Music – Yair Neuman/Yochai Cohen/James Knoll: Metonymy and Mass Murder: Diagnosing «Splitting» Through Automatic Text Analysis – Joan Swart: Psychopaths in Film: Are Portrayals Realistic and Does It Matter? – Trevor Grant: The Hammer and the Hummingbird: Spectating Crime Inside the Documentary Film – DJ Williams/John Edgar Browning: Looking Inside the Coffin: An Overview of Contemporary Human Vampirism and Its Relevance for Forensics Professionals – Sonia Halpern: A Yiddishe Cop: Jewish Identity, Police, and Prisoners in Contemporary Law Enforcement – Lee Mellor/Vivek Venkatesh/Jason Wallin/Tieja Thomas: Killing for Slender Man: The Emergence of an Electronic Gospel – Victoria Bigliardi: Crime as Curation: Understanding Crime Through the Lens of the Museum – Bethany K. Walters/Eric W. Hickey: Crime and the Canvas: Depicting Criminals and Their Punishments in the Visual Arts, from Antiquity to Present.

Select Guide Rating