Del 8 - Art History Special Issues

Creative Writing and Art History

Häftad, Engelska, 2012

AvCatherine Grant,Patricia Rubin,UK) Grant, Catherine (Courtauld Institute of Art and Goldsmiths, University of London,USA) Rubin, Patricia (Institute of Fine Arts, University of New York

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Creative Writing and Art History considers the ways in which the writing of art history intersects with creative writing. Essays range from the analysis of historical examples of art historical writing that have a creative element to examinations of contemporary modes of creative writing about art. Considers the ways in which the writing of art history intersects with creative writingCovers a diverse subject matter, from late Neolithic stone circles to the writing of a sentence by FlaubertThe collection both contains essays that survey the topic as well as more specialist articlesBrings together specialist contributors from both sides of the Atlantic

Produktinformation

Utgivningsdatum2012-03-02
Mått211 x 277 x 15 mm
Vikt717 g
FormatHäftad
SpråkEngelska
SerieArt History Special Issues
Antal sidor208
FörlagJohn Wiley and Sons Ltd
ISBN9781444350395

Tillhör följande kategorier

Konsthistoria inom Kultur
Konstteori inom Kultur

Catherine Grant is Lecturer in Visual Cultures at Goldsmiths, University of London. She co-ordinated the Writing Art History project at the Courtauld Institute of Art with Patricia Rubin and is the co-editor (with Lori Waxman) of Girls! Girls! Girls! in Contemporary Art (2011). Patricia Rubin is Judy and Michael Steinhardt Director of the Institute of Fine Arts, New York University. She is a member of the International Advisory Board of Art History and the author of Giorgio Vasari: Art and History (1995),Renaissance Florence: The Art of the 1470s (1999), and Images and Identity in Fifteenth-Century Florence (2007), and co-author of Renaissance Florence: The Art of the 1470s (1999).

6 Notes on Contributors 8 Chapter 1 'A narrative of what wishes what it wishes it to be': An Introduction to 'Creative Writing and Art History'Catherine Grant22 Chapter 2 Writing Perceptions: The Matter of Words and the Rollright StonesNicholas Chare46 Chapter 3 (Blind Summit) Art Writing, Narrative, Middle VoiceGavin Parkinson66 Chapter 4 Connoisseurship, Painting, and PersonhoodJeremy Melius88 Chapter 5 Under the Hat of the Art Historian: Panofsky, Berenson, WarburgFrancesco Ventrella110 Chapter 6 'The Liar': Fictions of the PersonPatricia Rubin130 Chapter 7 'Scattered notes': Authorship and Originality in Paul Gauguin's Diverses chosesLinda Goddard148 Chapter 8 'Sudden gleams of (f)light': 'Intuition as Method'?Charlotte de Mille166 Chapter 9 Rotten SunC. F. B. Miller190 Chapter 10 Notes on Writing as VertigoSatish Padiyar201 Index