Creative and Cultural Work in Europe

Bård Kleppe works as a research professor at the Telemark Research Institute. He has conducted several research projects on cultural policy, artists' working conditions, and the creative sector.Jaka Primorac works as a scientific advisor at the Institute for Development and International Relations (IRMO), Zagreb, with research interests in the field of cultural and creative industries, cultural labour, cultural policy and digital culture.Miikka Pyykkönen is Professor of Cultural Policy in the Department of Social Sciences and Philosophy, University of Jyväskylä. He specializes in cultural policy, creative economy, and ethnopolitics, but his research interests also cover entrepreneurship, cultural participation of youth, government and governance, and social theory.David Wright is an associate professor in the Centre for Cultural and Media Policy Studies at the University of Warwick, where he teaches and researches cultural policy and cultural work.

• 1. Introduction: Approaching Creative and Cultural Work in Europe Part I: The Precarious Present of Creative and Cultural Work 2. Measuring Matters: Mapping Cultural and Creative Work in Europe 3. Creativity and the ‘Work’ of Art: Visual Artists’ Perspectives 4. On the Heterogeneity of Creative Work: Exploring Effects of the COVID-19 Pandemic on Cultural Workers in the Balkans 5. Closing the Gap? Gender Differences in Norwegian Artists’ Work and Income 6. Patterns in Artists’ Careers: Adapting to Uncertainty, Opportunity, and Socio- Economic Constraints 7. "Oh My God, What Have I Done All Day?": Challenges of Measuring the Value of Creative Work Part II: Challenges for Policy: Changing the Conditions of Creative and Cultural Work 8. Barcelona Creation Factories: Improving the Support for Creative Work through an Innovative Cultural Policy 9. Welfare Policy as Cultural Policy in the UK: From Enterprise Allowance to Universal Credit 10. Building Creative Careers through Working Relations: The Case of the Norwegian Artist Assistant Scheme 11. From Precarity to Security? How Can Cultural Policies Tackle the Challenging Working Conditions of Creative Self- Employees in Europe? 12. The Trajectory of Film Work as Precarious Project Work: From Organization of Associated Labour, through Semi- Permanent Workgroups, to Gig Jobs 13. The Creative Middle Class: Between Neoliberalism and Commonism Part III: Contested Futures of Creative and Cultural Work 14. How to Move Things with Unions? Labour Organizing of Art Workers in the Post- Yugoslav Context 15. Creative Labour as Platform Work: Structural Inequalities and Digital Peripheries 16. Universal Basic Income and the Future of (Creative) Work 17. Ecologically Sustainable Creative Work? Rethinking Cultural Policies and Practices of Creative Work in the Wake of Green Transition 18. Navigating Symbolic Boundaries: Migrants’ Artistic Practices and the Struggle for Recognition 19. Conclusion: Supporting Creative and Cultural Work in Europe

“This book takes a multidisciplinary social science view on creative and cultural work and workers, highlighting the many policy domains that boundary-spanning cultural and creative professionals encounter, lays bare hard data on working conditions, and calls for progressive policies beyond praise of creativity as the future of Europe.”Katja Lindqvist, Department of Service Studies, Lund University"Comparative perspectives on the cultural and creative sectors are a crucial missing piece of the research field. This important new collection addresses that absence, giving significant insight into the challenges and the possibilities of cross-national cultural research. Focused on Europe, but with globally relevant insights, the book shows how the problems of creative work are not inevitable, and how another Europe is possible through art, culture and creative labour."Dave O'Brien, Professor of Cultural and Creative Industries, University of Manchester