DANIEL MORAN teaches writing at Rutgers University and history at Monmouth University. His work on G. K. Chesterton and John Ford has been published in academic journals, and he has contributed articles to a variety of teaching guides, including Poetry for Students, Short Stories for Students, and Drama for Students.

Daniel Moran’s Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers provides a compelling investigation of how O’Connor’s initial reputation of a Southern female writer over the years evolved into her status of great American writer…Through the de-construction of O’Connor’s literary portrait that has been created over decades through a number of venues, Dr. Moran re-creates a new version: elusive, fluid, and changing.

DANIEL MORAN teaches writing at Rutgers University and history at Monmouth University. His work on G. K. Chesterton and John Ford has been published in academic journals, and he has contributed articles to a variety of teaching guides, including Poetry for Students, Short Stories for Students, and Drama for Students.

Daniel Moran’s Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers provides a compelling investigation of how O’Connor’s initial reputation of a Southern female writer over the years evolved into her status of great American writer…Through the de-construction of O’Connor’s literary portrait that has been created over decades through a number of venues, Dr. Moran re-creates a new version: elusive, fluid, and changing.

DANIEL MORAN teaches writing at Rutgers University and history at Monmouth University. His work on G. K. Chesterton and John Ford has been published in academic journals, and he has contributed articles to a variety of teaching guides, including Poetry for Students, Short Stories for Students, and Drama for Students.

Daniel Moran’s Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers provides a compelling investigation of how O’Connor’s initial reputation of a Southern female writer over the years evolved into her status of great American writer…Through the de-construction of O’Connor’s literary portrait that has been created over decades through a number of venues, Dr. Moran re-creates a new version: elusive, fluid, and changing.