Uzma Z. Rizvi is Professor of Anthropology and Urban Studies at Pratt Institute, Brooklyn. She is the PI for the Laboratory of Integrated Archaeological Visualization and Heritage (LIAVH.org), bringing together archaeological research with data management, visualization, and heritage practice.

• DedicationList of IllustrationsAcknowledgmentsPrologueIntroduction: Crafting as WorldmakingUzma Z. Rizvi and Sarah E. JacksonChapter 1. Unmaking and Remaking: Reclaiming Indigenous IdentitySven Haakanson Jr.Chapter 2. More than Just a Copy: Mimesis in the Crafting of Our WorldsChristina T. Halperin, Sarah E. Jackson, and Céline GillotChapter 3. Delight in Making: Affect, Metonymy, and Craft PracticeZoë CrosslandChapter 4. Design for Living: Andean-Amazonian perspectives on Pre-Incaic Making and DecorationGeorge F. LauChapter 5. Making MohenjoDaro: Crafting Relations of Place and Urban SubjectivityUzma Z. RizviChapter 6. Pyrotechnologies in Ancient South India: Crafting Ashmounds and Making MetalPraveena GullapalliChapter 7. Nomadic Pastoralism, Landscapes, and CoproductionJoshua WrightChapter 8. Tea and Beads: Crafting Relationships in Nineteenth-Century Hivernant CommunitiesDawn WamboldChapter 9. Beading and Being in Relation: A Conversation Between Kisha Supernant and Krista LeddyKisha Supernant and Krista Leddy, transcribed and facilitated by Uzma Z. RizviChapter 10. A Walk Among Texts: Exploring New Spaces in Crafting and MakingSarah E. JacksonConclusion: Concluding Thoughts on Crafting as Worldmaking and Collaborative Modes of Thinking, Writing, and BeingZoe Crossland, Celine Gillot, Praveena Gullapalli, Sven Haakanson, Christina Halperin, Sarah E. Jackson, George F. Lau, Uzma Z. Rizvi, Kisha Supernant, R. Dawn Wambold, and Joshua WrightAppendix: A Page from the ZineIndex

“Crafting as Worldmaking provides a fresh perspective on crafting for archaeologists, anthropologists, and those interested in crafts and the material world.” • Teresa P. Raczek, Kennesaw State University