Del i serien Routledge Research in Fashion Law

Couture Fashion Law

Nyhet

Copyright and Artistic Works

Häftad, Engelska, 2026

AvTomruk Űstűnkaya

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This book provides an insight into the legal workings of the most ostentatious fashion sector, Couture, whilst simultaneously advocating for stronger legal protection in this industry.Offering an interdisciplinary approach, including art theory from Tolstoy and Rand amongst others, the book examines where Couture fashion sits within the law. Most significantly the book considers the couturier as an ‘artist’ and Couture as ‘art’ in relation to how this art form may be protected legally by copyright. Reflecting on contemporary issues, it analyses recent legal cases together with legislation, to provide awareness on the current position, and considers implications for the future by suggesting legal frameworks in pursuit of improvements. Using U.K. law as a case study, the book also comparatively assesses global fashion law, analysing the legal workings in the E.U. and the U.S.The book will be of interest to researchers in the field of fashion law, copyright law, art, and intellectual property.

Produktinformation

Utgivningsdatum2026-08-27
Mått156 x 234 x 12 mm
Vikt430 g
FormatHäftad
SpråkEngelska
SerieRoutledge Research in Fashion Law
Antal sidor198
FörlagTaylor & Francis Ltd
ISBN9781032985817

Tillhör följande kategorier

Modedesign och textilformgivning inom Kultur
Upphovsrätt inom Juridik
Immaterialrätt inom Juridik

Tomruk Űstűnkaya is Associate Lecturer at the University of Surrey. Her academic pursuits over several years continue to cover core law subjects, in addition to intellectual property law. Tomruk has published a range of articles in peer-reviewed law journals, examining topics such as fashion law, law and technology (specifically 3D printing), and cultural property. This book is a fusion of her arts/fashion and legal background, culminating in a study which explores the relationship between the two.

Tomruk engages the reader in a narrative that is contextually rich, guiding the audience through a journey, signposted by the lived experiences of Couturiers that have shaped global culture. As a Practising Couturier, I find her investigation as captivating, questioning the copyright laws which underpin the definition of artistic work, in consideration of couture. The analysis compels a progressive unsettling, questioning the challenges of a closed list to a craft which at the highest level, produces artefacts. These visual timestamps mark the evolution of fashion history. The collective contribution of the design process, crafts people, and hand production give birth to a living breathing organism, a Couture garment. When married with innovation, it is a critique, reflection and response to society and a vision into the future.Joshua Masih, Senior Lecturer, UAL, London College of Fashion