Kathryn Starkey is professor of German studies at Stanford University. She is the author of Reading the Medieval Book: Word, Image, and Performance in Wolfram von Eschenbach's Willehalm (2005); and co-editor of Visuality and Materiality in the Story of Tristan and Isolde (2012), both published by the University of Notre Dame Press.

"A Courtier's Mirror is a thoroughly researched, theoretically well-grounded, and clearly written book that makes a significant contribution to our understanding of Thomasin's Welscher Gast, not as a somewhat idealized text to be studied by text-oriented scholarship, but as a multimedia art work that actually existed (in multiple versions) in medieval Europe. In this way Starkey's book contributes significantly to our understanding of the history of the book in medieval Europe." —Studies in Iconography"Kathryn Starkey's book makes a significant contribution to the scholarship on Thomasin von Zerclaere's didactic poem Der Welsche Gast, composed ca. 1215 by an Italian author for German audiences, and to the understanding of medieval visual culture more generally." —The Medieval Review". . . Starkey's fascinating and detailed analysis of this rich poem [is] very satisfying. . . . The most impressive feature of this book is that it makes a little-known German didactic poem accessible to English speakers, both students and experienced scholars. This fascinating text and its amazing illustrations have been brought to light on both sides of what is a considerable linguistic divide." —Parergon "A Courtier's Mirror outlines and explains the rich manuscript reception of the thirteenth-century didactic poem Der Welscher Gast. Kathryn Starkey shows how, while the text received only minor redactions over the years, the illumination program changes in significant and interesting ways. The images take on a new iconographic impact and a narrativizing style that is rooted not in ideas about religious virtue but in courtly virtue as outlined in twelfth- and thirteenth-century courtly literature." —Sara S. Poor, Princeton University"Focusing on the visual program of the Welscher Gast in its manuscript transmissions, Starkey's superb research of previously unexplored materials offers fascinating new insights not only into the construction of aristocratic courtly identity, self-fashioning, and self-representation. In her analysis of medieval and late medieval versions of the texts she also gives us an entirely new understanding of audiences, ranging from aristocratic circles to urban burghers and ecclesiastical courts. Thus, this excellent and beautifully written book throws a truly new light on medieval courtly ideals, didactic and courtly literature, and its reception." —Niklaus Largier, University of California, Berkeley"In A Courtier's Mirror, Kathryn Starkey has given us an original perspective on a medieval text little known among American scholars beyond specialists in German medieval literature. But her chosen text, with its twenty-five preserved manuscripts over two centuries, its extensive and relatively constant illustration cycle, and its tight fit into a well-known genre of didactic material, is a subject of considerable current interest—one begging for a thoroughgoing and updated treatment. Starkey gives us just that; she asks challenging questions and, reading the images with great care and subtlety, proposes changing understandings of the text over time." —Joan A. Holladay, University of Texas at Austin