'Counterfeiting' Shakespeare

Evidence, Authorship and John Ford's Funerall Elegye

Inbunden, Engelska, 2002

AvBrian Vickers,Brian (Eidgenossische Technische Hochschule Zurich) Vickers

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'Counterfeiting' Shakespeare addresses the fundamental issue of what Shakespeare actually wrote, and how this is determined. In recent years his authorship has been claimed for two poems, the lyric 'Shall I die?' and A Funerall Elegye. These attributions have been accepted into certain major editions of Shakespeare's works but Brian Vickers argues that both attributions rest on superficial verbal parallels; both use too small a sample, ignore negative evidence, and violate basic principles in authorship studies. Through a fresh examination of the evidence, Professor Vickers shows that neither poem has the stylistic and imaginative qualities we associate with Shakespeare. In other words, they are 'counterfeits', in the sense of anonymously authored works wrongly presented as Shakespeare's. He argues that the poet and dramatist John Ford wrote the Elegye: its poetical language (vocabulary, syntax, prosody) is indistinguishable from Ford's, and it contains several hundred close parallels with his work. By combining linguistic and statistical analysis this book makes an important contribution to authorship studies.

Produktinformation

Utgivningsdatum2002-09-19
Mått152 x 229 x 38 mm
Vikt1 040 g
FormatInbunden
SpråkEngelska
Antal sidor598
FörlagCambridge University Press
ISBN9780521772433

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Brian Vickers is Professor of English Literature, and Director of the Centre for Renaissance Studies at Eidgenossische Technische Hochschule, Zurich. He is a Corresponding Fellow of the British Academy. His publications on Shakespeare include The Artistry of Shakespeare's Prose (1968, 1979); a six-volume collection of early Shakespeare criticism, Shakespeare: the Critical Heritage, 1623-1801 (1974-1981, 1996); Returning to Shakespeare (1989); and Appropriating Shakespeare. Contemporary Critical Quarrels (1993).

Prologue: Gary Taylor finds a poem; Part I. Donald Foster's 'Shakespearean' Construct: 1. 'W.S.' and the Elegye for William Peter; 2. Parallels? Plagiarisms?; 3. Vocabulary and diction; 4. Grammar: 'the Shakespearean who'; 5. Prosody, punctuation, pause patterns; 6. Rhetoric: 'the Shakespearean hendiadys'; 7. Statistics and inference; 8. A poem 'indistinguishable from Shakespeare'; Part II. John Ford's Funerall Elegye: 9. Ford's writing career: poet, moralist, playwright; 10. Ford and the Elegye's 'Shakespearean diction'; 11. The Funerall Elegye in its Fordian context; Epilogue: the politics of attribution; Appendices: 1. The text of A Funerall Elegye; 2. Verbal parallels between A Funerall Elegye and Ford's poems; 3. Establishing Ford's canon; Bibliography.

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