Counterfeit Capital

Jennifer Bajorek is Lecturer in Cultural Studies at Goldsmiths, University of London.

• @fmct:Contents @toc4:Acknowledgmentsiii List of Abbreviationsiii @toc2:Introduction: Swindlers and Prophets000 @toc2:1. Animadversions (Technics after Capital)000 @toc3:1. On Language as Such and on the Language of Capital000 2. Labor under Technical Conditions000 3. Tekhne and Artificial Life000 4. The Capital-Machine000 5. Poetics after Capital000 @toc2:2 Paris Spleen (The Irony of Revolutionary Power)000 @toc3:1. Le Langage des fleurs et des choses muettes000 2. Irony and Textual History000 3. Towards a Political Interpretation of Ironic Vertigo000 4. Paris Spleen as Irony-Machine000 5. Bourgeois Glass000 @toc2:3 Clock Time (On Accumulation and the Coming Injustice)00 @toc3:1. Of False Appearances and Presents000 2. Marx's Textual History (Primitive Accumulation)000 3. Some People Have A LOT More than Others (Accumulation Proper)000 4. Phony Francs (Ethics of the Counterfeit)000 5. "Dangerous like poetry in prose"000 @toc2:4 Insert into Blankness (Of Poetry and Cultural Memory)000 @toc3:1. Poetry at the Crossroads of Magic and Positivism000 2. Forget the Usual Motives000 3. Insert into Blankness000 4. Benjamin's Cookie000 @toc4:Notes000 Works Cited000 Index000

"Bajorek's critical examination of Benjamin's views on Baudelaire in her final chapter is particularly original and, I think, valuable. The relationship that Benjamin was the first to foreground between the coming of capitalism and Baudelaire's poetry here receives a remarkably insightful unpacking . . . [T]his is an admirable book."—Comparative Literature Studies "Counterfeit Capital is an ambitious, daring, provocative, and extremely intelligent book. It is also an important book, as it brilliantly opens up new ways of thinking about some of the most important concepts within Marxism and literary theory. Finally, it is also a pleasure to read: well written, engaging, and, at times, even downright funny."—Elissa Marder, Emory University "Written in clear and elegant language, admirably interpreting texts, Jennifer Bajorek's book invents a convincing parallel between Marx and Baudelaire as critics and poets of the antinomies of exchange, technology and life. Her debt to Benjamin and Derrida is avowed, but the work proves absolutely original. It opens a new chapter in the debates on dissemination, irony and ambivalence as intrinsic tropes of modernity. I cannot but follow her enthusiastically."—Etienne Balibar, University of Paris X, Nanterre and University of California, Irvine "Irony has often been thought irrelevant to political representations. Bajorek's study reconceives this conception of irony's limitation and refigures its relationship to the political. Counterfeit Capital resurrects passages of Marx's texts that have not been carefully read before. The book contains insightful readings of Paul de Man and a number of others. Its critical examination of Benjamin's views on Baudelaire is particularly original. Bajorek excavates Benjamin's seminal claim that Baudelaire was the first writer to foreground the connection between the coming of capitalism and Baudelaire's own poetry."—Richard Terdiman,University of California at Santa Cruz