Cosmetics in Shakespearean and Renaissance Drama

Inbunden, Engelska, 2019

Av Farah Karim-Cooper, Shakespeare's Globe) Karim-Cooper, Farah (Globe Education Lecturer

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Revised and updated critical survey of the field of cosmetics and adornment studiesThis revised edition examines how the plays of Shakespeare and his contemporaries dramatise the Renaissance preoccupation with cosmetics. Farah Karim-Cooper explores the then-contentious issue of female beauty and identifies a 'culture of cosmetics', which finds its visual identity on the early modern stage. She also examines cosmetic recipes and anti-cosmetic literature focusing on their relationship to drama in its representations of gender, race, politics and beauty.Key FeaturesOffers a new analysis of the construction of whiteness as a racial signifierProvides an original insight into women’s cosmetic practice through an exploration of ingredients, methods and materials used to create cosmetics and the perception of make up in Shakespeare’s timeIncludes numerous cosmetic recipes from the early modern period found in printed books and never published in a modern edition

Produktinformation

Utgivningsdatum2019-04-30
Mått156 x 234 x 14 mm
Vikt494 g
FormatInbunden
SpråkEngelska
Antal sidor232
Upplaga2
FörlagEdinburgh University Press
ISBN9781474452717

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Litteraturvetenskap inom Skonlitteratur
Dramatik inom Skonlitteratur

Farah Karim-Cooper is the Head of Higher Education & Research at Shakespeare’s Globe and Visiting Research Fellow of King’s College London, where she co-convenes the MA in Shakespeare Studies. She is Chair of the Globe Architecture Research Group which oversaw the design and construction of the Globe’s indoor Jacobean theatre, the Sam Wanamaker Playhouse. She was the 2013 Lloyd Davis Visiting Professor at the University of Queensland, and recently the Director of the Globe’s international Shakespeare and Race Festival. She has published two monographs, Cosmetics in Shakespearean and Renaissance Drama (EUP, 2006) and The Hand on the Shakespearean Stage: Gesture, Touch and the Spectacle of Dismemberment (Arden/Bloomsbury, 2016). In addition to publishing numerous articles and essays, she has either edited or co-edited 4 essay collections and is general editor of numerous book series. Karim-Cooper served on the British Library’s Shakespeare exhibition advisory board; the theatre advisory board for the New Oxford Shakespeare (2016), and as a trustee of the Shakespeare Association of America.

AcknowledgementsList of Illustrations 1. Defining Beauty in Renaissance Culture2. Early Modern Cosmetic Culture3. Cosmetic Restoration in Jacobean Tragedy 4: John Webster and the Culture of Cosmetics5. Jonson’s Cosmetic Ritual6. Cosmetics and Poetics in Shakespearean Comedy7. ‘Deceived with ornament’: Shakespeare’s Venice 8. ‘Flattering Unction’: Cosmetics in HamletEpilogueBibliographyIndex