Janet Staiger is William P. Hobby Centennial Professor of Communication in the Department of Radio-Television-Film at the University of Texas at Austin. The author of many books, her latest include Media Reception Studies, Blockbuster TV: Must-See Sitcoms in the Network Era, and Perverse Spectators: The Practices of Film Reception. Sabine Hake is Professor and Texas Chair of German Literature and Culture at the University of Texas at Austin. She is the author of Topographies of Class: Urban Architecture and Mass Utopia in Weimar Berlin, German National Cinema, and Popular Cinema of the Third Reich, among many other books.

• Part One: New Methods1. From Accented Cinema to Multiplex Cinema, Hamid Naficy2. Franchise Histories: Marvel, X-Men, and the Negotiated Process of Expansion, Derek Johnson3. When Pierre Bourdieu Meets the Political Economists: RKO and the Leftists-in-Hollywood Problematic, Chris Cagle 4. Touch, Taste, Breath: Synaesthesia, Sense Memory, and the Selling of Cigarettes on Television, 1948-1971, Marsha F. Cassidy5. Rewiring Media History: Intermedial Borders, Mark WilliamsPart Two: New Subjects6. Provincial Modernity? Film Exhibition at the 1907 Jamestown Exposition, Kathryn H. Fuller-Seeley7. Exhibition in Mexico during the Early 1920s: Nationalist Discourse and Transnational Capital, Laura Isabel Serna8. The Recording Industry’s Role in Media History, Kyle S. Barnett9. Forging a Citizen Audience: Broadcasting from the 1920s through the 1940s, Richard Butsch10. Bobby Jones, Warner Bros., and the Short Instructional Film, Harper CossarPart Three: New Approaches11. Bonding with the Crowd: Silent Film Stars, Liveness, and the Public Sphere, Sue Collins12. The Comfort of Carnage: Neorealism and America’s World, Karl Schoonover13. "Talk about Bad Taste": Camp, Cult, and the Reception of What’s New Pussycat? Ken Feil14. Selling Out, Buying In: Brakhage, Warhol, and BAVC Understanding, Dan Leopard15. Whatever Happened to the Movie-of-the-Week? [the shocking true story of how made-for-TV movies disappeared from broadcast networks], Alisa PerrenPart Four: Research Issues16. Doing Soap Opera History: Challenges and Triumphs, Elana Levine17. Stalking the Wild Evidence: Capturing Media History through Elusive and Ephemeral Archives, Pamela Wilson18. Historicizing Web Design: Software, Style, and the Look of the Web, Megan Sapnar AnkersonBibliography on Media Historiography

Janet Staiger is William P. Hobby Centennial Professor of Communication in the Department of Radio-Television-Film at the University of Texas at Austin. The author of many books, her latest include Media Reception Studies, Blockbuster TV: Must-See Sitcoms in the Network Era, and Perverse Spectators: The Practices of Film Reception. Sabine Hake is Professor and Texas Chair of German Literature and Culture at the University of Texas at Austin. She is the author of Topographies of Class: Urban Architecture and Mass Utopia in Weimar Berlin, German National Cinema, and Popular Cinema of the Third Reich, among many other books.

• Part One: New Methods1. From Accented Cinema to Multiplex Cinema, Hamid Naficy2. Franchise Histories: Marvel, X-Men, and the Negotiated Process of Expansion, Derek Johnson3. When Pierre Bourdieu Meets the Political Economists: RKO and the Leftists-in-Hollywood Problematic, Chris Cagle 4. Touch, Taste, Breath: Synaesthesia, Sense Memory, and the Selling of Cigarettes on Television, 1948-1971, Marsha F. Cassidy5. Rewiring Media History: Intermedial Borders, Mark WilliamsPart Two: New Subjects6. Provincial Modernity? Film Exhibition at the 1907 Jamestown Exposition, Kathryn H. Fuller-Seeley7. Exhibition in Mexico during the Early 1920s: Nationalist Discourse and Transnational Capital, Laura Isabel Serna8. The Recording Industry’s Role in Media History, Kyle S. Barnett9. Forging a Citizen Audience: Broadcasting from the 1920s through the 1940s, Richard Butsch10. Bobby Jones, Warner Bros., and the Short Instructional Film, Harper CossarPart Three: New Approaches11. Bonding with the Crowd: Silent Film Stars, Liveness, and the Public Sphere, Sue Collins12. The Comfort of Carnage: Neorealism and America’s World, Karl Schoonover13. "Talk about Bad Taste": Camp, Cult, and the Reception of What’s New Pussycat? Ken Feil14. Selling Out, Buying In: Brakhage, Warhol, and BAVC Understanding, Dan Leopard15. Whatever Happened to the Movie-of-the-Week? [the shocking true story of how made-for-TV movies disappeared from broadcast networks], Alisa PerrenPart Four: Research Issues16. Doing Soap Opera History: Challenges and Triumphs, Elana Levine17. Stalking the Wild Evidence: Capturing Media History through Elusive and Ephemeral Archives, Pamela Wilson18. Historicizing Web Design: Software, Style, and the Look of the Web, Megan Sapnar AnkersonBibliography on Media Historiography

Janet Staiger is William P. Hobby Centennial Professor of Communication in the Department of Radio-Television-Film at the University of Texas at Austin. The author of many books, her latest include Media Reception Studies, Blockbuster TV: Must-See Sitcoms in the Network Era, and Perverse Spectators: The Practices of Film Reception. Sabine Hake is Professor and Texas Chair of German Literature and Culture at the University of Texas at Austin. She is the author of Topographies of Class: Urban Architecture and Mass Utopia in Weimar Berlin, German National Cinema, and Popular Cinema of the Third Reich, among many other books.

• Part One: New Methods1. From Accented Cinema to Multiplex Cinema, Hamid Naficy2. Franchise Histories: Marvel, X-Men, and the Negotiated Process of Expansion, Derek Johnson3. When Pierre Bourdieu Meets the Political Economists: RKO and the Leftists-in-Hollywood Problematic, Chris Cagle 4. Touch, Taste, Breath: Synaesthesia, Sense Memory, and the Selling of Cigarettes on Television, 1948-1971, Marsha F. Cassidy5. Rewiring Media History: Intermedial Borders, Mark WilliamsPart Two: New Subjects6. Provincial Modernity? Film Exhibition at the 1907 Jamestown Exposition, Kathryn H. Fuller-Seeley7. Exhibition in Mexico during the Early 1920s: Nationalist Discourse and Transnational Capital, Laura Isabel Serna8. The Recording Industry’s Role in Media History, Kyle S. Barnett9. Forging a Citizen Audience: Broadcasting from the 1920s through the 1940s, Richard Butsch10. Bobby Jones, Warner Bros., and the Short Instructional Film, Harper CossarPart Three: New Approaches11. Bonding with the Crowd: Silent Film Stars, Liveness, and the Public Sphere, Sue Collins12. The Comfort of Carnage: Neorealism and America’s World, Karl Schoonover13. "Talk about Bad Taste": Camp, Cult, and the Reception of What’s New Pussycat? Ken Feil14. Selling Out, Buying In: Brakhage, Warhol, and BAVC Understanding, Dan Leopard15. Whatever Happened to the Movie-of-the-Week? [the shocking true story of how made-for-TV movies disappeared from broadcast networks], Alisa PerrenPart Four: Research Issues16. Doing Soap Opera History: Challenges and Triumphs, Elana Levine17. Stalking the Wild Evidence: Capturing Media History through Elusive and Ephemeral Archives, Pamela Wilson18. Historicizing Web Design: Software, Style, and the Look of the Web, Megan Sapnar AnkersonBibliography on Media Historiography