Susan McClary is Professor of Musicology at the University of California, Los Angeles, and author of Feminine Endings: Music, Gender, and Sexuality (1991) and Georges Bizet: Carmen (1992).

• Preface1. Turtles All the Way Down (On the "Purely Musical")2. Thinking Blues3· What Was Tonality?4· The Refuge of Counterconvention5· Reveling in the Rubble: The Postmodern ConditionNotesIndex

"Conventional Wisdom is a contribution to musicology of the first order. The field will have to reckon with it for years to come, for it will become the point of departure for discussions not only on the foundation of classical tonality and the American blues, but also for its deconstruction of the borderlands of 'the purely musical'." - Jose David Saldivar, author of Border Matters "In Conventional Wisdom Susan McClary once again brings her unique blend of audacity and judiciousness to the project of rethinking the basis of musical history. Ranging nimbly from Vivaldi to the blues and beyond, McClary reanimates the tired (not to say conventional) concept of musical convention. She shows not only that 'purely musical' conventions are tools for doing cultural work, but also that they act as a kind of barometer for the cultural work that particular eras feel the need of doing. She advances recent debates on the social import of music in a spirit of dialogue without sacrificing anything in the way of cutting-edge thought. This is a scintillating and challenging book that will be read eagerly by specialists and non-specialists alike. No one who cares about music can afford to miss it." - Lawrence Kramer, author of After the Lovedeath

Susan McClary is Professor of Musicology at the University of California, Los Angeles, and author of Feminine Endings: Music, Gender, and Sexuality (1991) and Georges Bizet: Carmen (1992).

• Preface1. Turtles All the Way Down (On the "Purely Musical")2. Thinking Blues3· What Was Tonality?4· The Refuge of Counterconvention5· Reveling in the Rubble: The Postmodern ConditionNotesIndex

"Conventional Wisdom is a contribution to musicology of the first order. The field will have to reckon with it for years to come, for it will become the point of departure for discussions not only on the foundation of classical tonality and the American blues, but also for its deconstruction of the borderlands of 'the purely musical'." - Jose David Saldivar, author of Border Matters "In Conventional Wisdom Susan McClary once again brings her unique blend of audacity and judiciousness to the project of rethinking the basis of musical history. Ranging nimbly from Vivaldi to the blues and beyond, McClary reanimates the tired (not to say conventional) concept of musical convention. She shows not only that 'purely musical' conventions are tools for doing cultural work, but also that they act as a kind of barometer for the cultural work that particular eras feel the need of doing. She advances recent debates on the social import of music in a spirit of dialogue without sacrificing anything in the way of cutting-edge thought. This is a scintillating and challenging book that will be read eagerly by specialists and non-specialists alike. No one who cares about music can afford to miss it." - Lawrence Kramer, author of After the Lovedeath

Susan McClary is Professor of Musicology at the University of California, Los Angeles, and author of Feminine Endings: Music, Gender, and Sexuality (1991) and Georges Bizet: Carmen (1992).

• Preface1. Turtles All the Way Down (On the "Purely Musical")2. Thinking Blues3· What Was Tonality?4· The Refuge of Counterconvention5· Reveling in the Rubble: The Postmodern ConditionNotesIndex

"Conventional Wisdom is a contribution to musicology of the first order. The field will have to reckon with it for years to come, for it will become the point of departure for discussions not only on the foundation of classical tonality and the American blues, but also for its deconstruction of the borderlands of 'the purely musical'." - Jose David Saldivar, author of Border Matters "In Conventional Wisdom Susan McClary once again brings her unique blend of audacity and judiciousness to the project of rethinking the basis of musical history. Ranging nimbly from Vivaldi to the blues and beyond, McClary reanimates the tired (not to say conventional) concept of musical convention. She shows not only that 'purely musical' conventions are tools for doing cultural work, but also that they act as a kind of barometer for the cultural work that particular eras feel the need of doing. She advances recent debates on the social import of music in a spirit of dialogue without sacrificing anything in the way of cutting-edge thought. This is a scintillating and challenging book that will be read eagerly by specialists and non-specialists alike. No one who cares about music can afford to miss it." - Lawrence Kramer, author of After the Lovedeath