Wernmei Yong Ade teaches feminist studies, contemporary women’s writing, critical theory, and a course on love as a discourse at Nanyang Technological University, Singapore.  She is currently working on a book project on the subject of love as a discourse of alterity, staged as textual practice, in addition to editing a collection of essays entitled Fluid Gender, Fluid Love (2016).  Lim Lee Ching teaches literature and inter-disciplinary subjects at SIM University, SIngapore. He is founding editor of the Singapore Review of Books. He is also the author of Tomas Tranströmer: a Commentary (2016).

• Introduction.- Waxing on Wagers.- Loo Zihan and the Body Confessional.- Kiasipolitics: Sagas, Scandals and Suicides in Johann S. Lee’s Peculiar Chris.- The Mosaic Body: Interpreting Disability in Performance.- Embodying Multiplicity on the Singapore Stage: Plays of Difference.- Becoming Ellen Toh: The Politics of Visibility in Invitation to Treat The Eleanor Wong Trilogy.- Neighbours’: A Tiong Bahru Series.- The Substation at 25: On Institutional Memory and Forgetting.

Wernmei Yong Ade teaches feminist studies, contemporary women’s writing, critical theory, and a course on love as a discourse at Nanyang Technological University, Singapore.  She is currently working on a book project on the subject of love as a discourse of alterity, staged as textual practice, in addition to editing a collection of essays entitled Fluid Gender, Fluid Love (2016).  Lim Lee Ching teaches literature and inter-disciplinary subjects at SIM University, SIngapore. He is founding editor of the Singapore Review of Books. He is also the author of Tomas Tranströmer: a Commentary (2016).

• Introduction.- Waxing on Wagers.- Loo Zihan and the Body Confessional.- Kiasipolitics: Sagas, Scandals and Suicides in Johann S. Lee’s Peculiar Chris.- The Mosaic Body: Interpreting Disability in Performance.- Embodying Multiplicity on the Singapore Stage: Plays of Difference.- Becoming Ellen Toh: The Politics of Visibility in Invitation to Treat The Eleanor Wong Trilogy.- Neighbours’: A Tiong Bahru Series.- The Substation at 25: On Institutional Memory and Forgetting.

Wernmei Yong Ade teaches feminist studies, contemporary women’s writing, critical theory, and a course on love as a discourse at Nanyang Technological University, Singapore.  She is currently working on a book project on the subject of love as a discourse of alterity, staged as textual practice, in addition to editing a collection of essays entitled Fluid Gender, Fluid Love (2016).  Lim Lee Ching teaches literature and inter-disciplinary subjects at SIM University, SIngapore. He is founding editor of the Singapore Review of Books. He is also the author of Tomas Tranströmer: a Commentary (2016).

• Introduction.- Waxing on Wagers.- Loo Zihan and the Body Confessional.- Kiasipolitics: Sagas, Scandals and Suicides in Johann S. Lee’s Peculiar Chris.- The Mosaic Body: Interpreting Disability in Performance.- Embodying Multiplicity on the Singapore Stage: Plays of Difference.- Becoming Ellen Toh: The Politics of Visibility in Invitation to Treat The Eleanor Wong Trilogy.- Neighbours’: A Tiong Bahru Series.- The Substation at 25: On Institutional Memory and Forgetting.