Conflict Landscapes

Nicholas J. Saunders is Professor of Material Culture at Bristol University, UK, and co-director of the Great Arab Revolt Project. Between 1998 and 2004, he was British Academy Senior Research Fellow at University College London, making the first anthropological study of the material culture of the First World War.Paul Cornish is a Senior Curator at the Imperial War Museum. He is currently working on the creation of a new permanent Second World War gallery to open in 2021, having previously been involved with the construction of the First World War gallery, which opened in 2014.

• Part I The First World War 1 1 The Dead and their Spaces: Origins and Meanings in Modern Conflict Landscapes 2 Cutting the Landscape: Investigating the 1917 Battlefield of the Messines Ridge 3 Garden Landscapes of the Great War 4 Conflict Gas-Scape: Chemical Weapons on the Eastern Front, January 1915 5 Controversy in the Julian Alps: Erwin Rommel, Landscape, and the 12th Battle of the Soča/Isonzo 6 First World War Landscapes on the Alpine Front Line: New Technologies between Wish and (Augmented) Reality 7 Engaging Military Heritage: The Conflict Landscape of Val Canale, Italy 8 Conflict, Mobility, and Landscapes: The Arab Revolt in Southern Jordan, 1916–1918 9 Life and Death in a Conflict Landscape: Visitor and Local Perspectives from the Western Front Part II The Second World War 10 Who Owns the ‘Wilderness’? Indigenous Second World War Landscapes in Sápmi, Finnish Lapland 11 Operation Northern Light: Remote Sensing a Second World War Conflict Landscape in Northern Finland 12 Power of Place and Landscape: The US 10th Mountain Division, from Colorado to the Apennines 13 War in the Normandy Bocage: British Perceptions and Memory of a Militarized Landscape 14 Archaeology, D-Day, and the Battle of Normandy: ‘The Longest Day’, a Landscape of Myth and Materiality 15 ‘An Example of Nazi Kultur’: Paradigmatic and Contested Materiality at Bergen-Belsen Concentration Camp 16 Campscapes and Homescapes of the Mind’s Eye: A Methodology for Analyzing the Landscapes of Internment Camps Part III Beyond World Wars 17 Imagining Maritime Conflict Landscapes: Reactive Exhibitions, Sovereignty, and Representation in Vietnam 18 People, Barriers, Movement, and Art: Contested Sandscapes of Western Sahara 19 A Parthian City in the Iran–Iraq War: Incorporating the Ancient Site of Charax Spasinou into a Modern Conflict Landscape 20 Abstract Landscapes: Learning to Operate in Conflict Space