Roy Thomas joined Marvel as a writer and editor under Stan Lee, scripting key runs of nearly every Marvel title: The Amazing Spider-Man, The Avengers, Daredevil, Doctor Strange, The Sub-Mariner, Thor, The X-Men and more. He wrote the first ten years of Marvel’s Conan the Barbarian and Savage Sword of Conan; and launched the Defenders, Iron Fist, The Invaders and Warlock. At DC, he developed All-Star Squadron, Infinity Inc. and related titles, proving instrumental in reviving the Golden Age Justice Society of America. He co-scripted the sword-and-sorcery films Fire and Ice and Conan the Destroyer. Throughout it all, Thomas has edited the award-winning magazine Alter Ego, contributing heartily to the research and history of the medium.Tony Dezuniga began drawing for DC Comics in the late 1960s. After working on DC romance and mystery titles, he illustrated the first adventure of Jonah Hex in 1972.His distinctive style was seen in pages of Conan the Barbarian, Spider-Man, The X-Men, The Hulk and many others. JONAH HEX: NO WAY BACK marks DeZuniga’s return to the Western anti-hero.MICHAEL DOCHERTY For over a decade, Docherty was one of the most prolific artists in the Conan Universe, with credits pencilling Conan the Barbarian, Conan the King and Savage Sword of Conan. He also illustrated the Conan graphic novels The Horn of Azoth and The Ravagers Out of Time. After pencilling three issues of Conan the Savage in 1995, Docherty left Marvel for animation, where he worked as a storyboard artist on The Incredible Hulk, Godzilla: The Series and Captain Simian & The Space Monkeys.Artist John Watkiss has credits to his name that includes concept designs on Disney's Tarzan movie and work for the likes of Saatchi & Saatchi, Dreamworks and 20th Century Fox.

Roy Thomas joined Marvel as a writer and editor under Stan Lee, scripting key runs of nearly every Marvel title: The Amazing Spider-Man, The Avengers, Daredevil, Doctor Strange, The Sub-Mariner, Thor, The X-Men and more. He wrote the first ten years of Marvel’s Conan the Barbarian and Savage Sword of Conan; and launched the Defenders, Iron Fist, The Invaders and Warlock. At DC, he developed All-Star Squadron, Infinity Inc. and related titles, proving instrumental in reviving the Golden Age Justice Society of America. He co-scripted the sword-and-sorcery films Fire and Ice and Conan the Destroyer. Throughout it all, Thomas has edited the award-winning magazine Alter Ego, contributing heartily to the research and history of the medium.Tony Dezuniga began drawing for DC Comics in the late 1960s. After working on DC romance and mystery titles, he illustrated the first adventure of Jonah Hex in 1972.His distinctive style was seen in pages of Conan the Barbarian, Spider-Man, The X-Men, The Hulk and many others. JONAH HEX: NO WAY BACK marks DeZuniga’s return to the Western anti-hero.MICHAEL DOCHERTY For over a decade, Docherty was one of the most prolific artists in the Conan Universe, with credits pencilling Conan the Barbarian, Conan the King and Savage Sword of Conan. He also illustrated the Conan graphic novels The Horn of Azoth and The Ravagers Out of Time. After pencilling three issues of Conan the Savage in 1995, Docherty left Marvel for animation, where he worked as a storyboard artist on The Incredible Hulk, Godzilla: The Series and Captain Simian & The Space Monkeys.Artist John Watkiss has credits to his name that includes concept designs on Disney's Tarzan movie and work for the likes of Saatchi & Saatchi, Dreamworks and 20th Century Fox.

Roy Thomas joined Marvel as a writer and editor under Stan Lee, scripting key runs of nearly every Marvel title: The Amazing Spider-Man, The Avengers, Daredevil, Doctor Strange, The Sub-Mariner, Thor, The X-Men and more. He wrote the first ten years of Marvel’s Conan the Barbarian and Savage Sword of Conan; and launched the Defenders, Iron Fist, The Invaders and Warlock. At DC, he developed All-Star Squadron, Infinity Inc. and related titles, proving instrumental in reviving the Golden Age Justice Society of America. He co-scripted the sword-and-sorcery films Fire and Ice and Conan the Destroyer. Throughout it all, Thomas has edited the award-winning magazine Alter Ego, contributing heartily to the research and history of the medium.Tony Dezuniga began drawing for DC Comics in the late 1960s. After working on DC romance and mystery titles, he illustrated the first adventure of Jonah Hex in 1972.His distinctive style was seen in pages of Conan the Barbarian, Spider-Man, The X-Men, The Hulk and many others. JONAH HEX: NO WAY BACK marks DeZuniga’s return to the Western anti-hero.MICHAEL DOCHERTY For over a decade, Docherty was one of the most prolific artists in the Conan Universe, with credits pencilling Conan the Barbarian, Conan the King and Savage Sword of Conan. He also illustrated the Conan graphic novels The Horn of Azoth and The Ravagers Out of Time. After pencilling three issues of Conan the Savage in 1995, Docherty left Marvel for animation, where he worked as a storyboard artist on The Incredible Hulk, Godzilla: The Series and Captain Simian & The Space Monkeys.Artist John Watkiss has credits to his name that includes concept designs on Disney's Tarzan movie and work for the likes of Saatchi & Saatchi, Dreamworks and 20th Century Fox.