Composing Processes and Artistic Agency

Tasos Zembylas is a Professor of Cultural Institution Studies at the Department of Music Sociology at the University of Music and Performing Arts Vienna, Austria.Martin Niederauer (Dr. phil.) studied sociology in Trier and Frankfurt am Main. He currently works at the Faculty of Design at the University of Applied Sciences Würzburg-Schweinfurt, Germany.

• Introduction1. The Topography Of Composing Work1.1. Parameters and Resources1.2. Peers and Non-Peers1.3. Material Objects: Musical Instruments, Computers and Writing Materials1.4. Immaterial Objects: Discourses, Notation Systems, Algorithms and Software2. The Processuality Of Composing2.1. Exploring – Understanding – Valuing – Making2.2. The Cohesion of Activities Inherent in Processes2.3. The Artistic Creative Processes as a Dynamic Interlinking of Actions3. Orchestrating Different Forms of Knowledge3.1. The Various Manifestations of Artistic Practical Knowing3.2. The Centrality of Learning3.3. Forms of Knowledge in Composing Processes: An Interpretative Order3.4. The Synergy Between the Various Forms of Knowledge4. Composing-As-Process: Musicological Perspectives, Andreas Holzer4.1. Perspectives on Composing-As-Process: A Historical Outline4.2. The Components of Composing Practices and their Interrelations: Present-Day Observations