Del 0 - Sound Design

Composing Audiovisually

Perspectives on audiovisual practices and relationships

Häftad, Engelska, 2021

AvLouise Harris

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What does the Coen Brothers’ Barton Fink have in common with Norman McLaren’s Synchromy? Or with audiovisual sculpture? Or contemporary music video? Composing Audiovisually interrogates how the relationship between the audiovisual media in these works, and our interaction with them, might allow us to develop mechanisms for talking about and understanding our experience of audiovisual media across a broad range of modes. Presenting close readings of audiovisual artefacts, conversations with artists, consideration of contemporary pedagogy and a detailed conceptual and theoretical framework that considers the nature of contemporary audiovisual experience, this book attempts to address gaps in our discourse on audiovisual modes, and offer possible starting points for future, genuinely transdisciplinary thinking in the field.

Produktinformation

Utgivningsdatum2021-07-21
Mått156 x 234 x 20 mm
Vikt360 g
FormatHäftad
SpråkEngelska
SerieSound Design
Antal sidor228
FörlagTaylor & Francis Ltd
ISBN9780367346911

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IntroductionSection 1 - Thinking AudiovisuallyThinking AudiovisuallyChapter One - Discourse on Audiovisual ExperienceChapter Two - Analysis of questionnaire resultsChapter Three - Defining Transperceptual AttentionCoda - some terminology for Transperceptual AttentionSection 2 - Composing AudiovisuallyComposing AudiovisuallyChapter Four - the elements of audiovisual compositionChapter Five - Teaching AudiovisuallySection 3 - Analysing AudiovisuallyAnalysing AudiovisuallyCase Study 1 - For TashiCase Study 2 - CinechineCase Study 3 - pebblesCase Study 4 - Hitchcock EtudesCase Study 5 - Close to be close to meCase Study 6 - A Love StoryCase Study 7 - Open AirReflectionsEpilogue - Final Reflections

Situating practice firmly at the heart of her discourse, Dr. Harris unpacks the creative process from a composer's perspective, revealing valuable insights which challenging traditional media hierarchies and elaborate nuanced understandings of audiovisual composition. This text will be of importance to students, fellow composers and auiodvisuolologists, providing a desperately needed injection of new perspectives into the topic.Andrew Knight-Hill, University of Greenwich, London.Harris courageously crafts transdisciplinary inroads into difficult territory, providing teachers, composers, students and theorists multi-perspectival approaches to a broad range of audiovisual practice and identifying and challenging limits of current language and conceptions.Bret Battey, De Montfort University, Leicester