OLAF BERWALD is Department Chair of World Languages, Literatures, and Cultures and Professor of German at Middle Tennessee State University.

• Introduction: Max Frisch in the Twenty-First CenturyMax Frisch's Early PlaysSpielraum in Max Frisch's Graf Öderland and Don Juan: Transparency as Mode of PerformanceMax Frisch's Biedermann und die Brandstifter and Die große Wut des Philipp HotzMax Frisch's Andorra: Balancing Act between Pattern and ParticularEternal Recurrence in Life and Death in Max Frisch's Late PlaysMax Frisch's Early FictionFrom Life to Literature: Max Frisch's Frisch's Tagebücher"Writing in order to be a stranger to oneself": Max Frisch's StillerCybernetic Flow, Analogy, and Probability in Max Frisch's Homo FaberThe Ends of Blindness in Max Frisch's Mein Name sei GantenbeinMax Frisch's Montauk. Eine ErzählungMan, Culture, and Nature in Max Frisch's Der Mensch erscheint im Holozän"My life as a man. Everyman": Max Frisch's Blaubart. ErzählungMax Frisch's Essays and SpeechesFrisch's Major WorksSelect BibliographyNotes on the ContributorsIndex

This companion volume will prove rewarding for students and scholars of Frisch's work and for those familiar with Frisch's ?ction and non-fiction. [It] provides the student and scholar with fresh insights, new critical approaches, and an overview of the secondary literature.

OLAF BERWALD is Department Chair of World Languages, Literatures, and Cultures and Professor of German at Middle Tennessee State University.

• Introduction: Max Frisch in the Twenty-First CenturyMax Frisch's Early PlaysSpielraum in Max Frisch's Graf Öderland and Don Juan: Transparency as Mode of PerformanceMax Frisch's Biedermann und die Brandstifter and Die große Wut des Philipp HotzMax Frisch's Andorra: Balancing Act between Pattern and ParticularEternal Recurrence in Life and Death in Max Frisch's Late PlaysMax Frisch's Early FictionFrom Life to Literature: Max Frisch's Frisch's Tagebücher"Writing in order to be a stranger to oneself": Max Frisch's StillerCybernetic Flow, Analogy, and Probability in Max Frisch's Homo FaberThe Ends of Blindness in Max Frisch's Mein Name sei GantenbeinMax Frisch's Montauk. Eine ErzählungMan, Culture, and Nature in Max Frisch's Der Mensch erscheint im Holozän"My life as a man. Everyman": Max Frisch's Blaubart. ErzählungMax Frisch's Essays and SpeechesFrisch's Major WorksSelect BibliographyNotes on the ContributorsIndex

This companion volume will prove rewarding for students and scholars of Frisch's work and for those familiar with Frisch's ?ction and non-fiction. [It] provides the student and scholar with fresh insights, new critical approaches, and an overview of the secondary literature.

OLAF BERWALD is Department Chair of World Languages, Literatures, and Cultures and Professor of German at Middle Tennessee State University.

• Introduction: Max Frisch in the Twenty-First CenturyMax Frisch's Early PlaysSpielraum in Max Frisch's Graf Öderland and Don Juan: Transparency as Mode of PerformanceMax Frisch's Biedermann und die Brandstifter and Die große Wut des Philipp HotzMax Frisch's Andorra: Balancing Act between Pattern and ParticularEternal Recurrence in Life and Death in Max Frisch's Late PlaysMax Frisch's Early FictionFrom Life to Literature: Max Frisch's Frisch's Tagebücher"Writing in order to be a stranger to oneself": Max Frisch's StillerCybernetic Flow, Analogy, and Probability in Max Frisch's Homo FaberThe Ends of Blindness in Max Frisch's Mein Name sei GantenbeinMax Frisch's Montauk. Eine ErzählungMan, Culture, and Nature in Max Frisch's Der Mensch erscheint im Holozän"My life as a man. Everyman": Max Frisch's Blaubart. ErzählungMax Frisch's Essays and SpeechesFrisch's Major WorksSelect BibliographyNotes on the ContributorsIndex

This companion volume will prove rewarding for students and scholars of Frisch's work and for those familiar with Frisch's ?ction and non-fiction. [It] provides the student and scholar with fresh insights, new critical approaches, and an overview of the secondary literature.