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After a 35 year-long career on worldwide TV screens, Lieutenant Columbo has become one of the most famous fictional detectives. Lilian Mathieu shows that the Columbo series owes its success to its implicit but formidable political dimension, as each episode is structured as a class struggle between a rich, famous, cultured or powerful criminal and an apparently humble and blunderer police officer dressed in a crumpled raincoat and driving an antique car. Highlighting the contentious context that gave birth to the series in 1968, he shows that the sociology of culture offers intellectual tools to understand how a TV detective story can be appreciated as a joyful class revenge.
Lilian Mathieu is a sociologist and senior researcher at the National Centre for Scientific Research (École normal supérieure de Lyon, France). A specialist in social movements, he especially focuses on relations between art, contentious politics and authoritarian regimes.
AbstractKeywordsIntroduction1 Class against Class2 A World of Distinction3 Superiority in Crime4 A Sense of Limits5 A Misplaced Police Officer6 Police Work7 Just One More Thing …ReferencesList of Episodes
