Sarah Arens is a British Academy Postdoctoral Fellow and Lecturer in French at the University of Liverpool. Nicola Frith is a Senior Lecturer in French and Francophone Studies at the University of Edinburgh. Jonathan Lewis is a Lecturer in French and Francophone Studies at Bangor University. Rebekah Vince is a Lecturer in French at Queen Mary University of London.

• Illustrations Acknowledgements Introduction Sarah Arens, Nicola Frith, Jonathan Lewis and Rebekah Vince I. Colonial Continuities and NostalgiaBayadères in the French Imagination: A Persistent Dance Tessa Ashlin NunnJean-Paul Kauffmann: Nostalgia, Empire and Imagined Resurrections Patrick CrowleyA Russian Love Affair: Memory, Nostalgia and Transimperial Connections Srilata Ravi Colonialism, Race and Caribbean Migration: A History of the BUMIDOM Antonia WimbushContinuity or Rupture?: Remapping the End of Empire in Marguerite Duras’s ‘Cycle Indien’ Julia WatersThe Visible Other: Muslim Women, Feminism, and National Identity in France Edwige CrucifixBridgeSlaves of Fashion. Les Indiennes: The Extended Triangle The Singh TwinsII. Decoloniality and Transcolonial Modes of ResistanceHidden Heritages and Unlikely Legacies: An Eastern Jerusalem in Hubert Haddad’s Premières neiges sur Pondichéry Rebekah VinceDecolonizing Collective Memory from within: Rwandan Remembrance in Belgium and France Catherine GilbertDivided Worlds, Distorted Selves: Coloniality and the Process of Identification inYasmina Khadra’s Ce que le jour doit à la nuit Abdelbaqi GhorabThe Enslaved Man in Un Cœur simple: A Story within a Story Sucheta KapoorMobility, Immobility and Transgression: Representations of Dangerous Travellersin Mounsi’s La Noce des fous Jonathan LewisPolicing Black Anti-Colonial Activism in Interwar France: The Surveillance ofLamine Senghor in Fréjus, Marseille and Bordeaux David MurphyAfterword Charles Forsdick

‘As an interdisciplinary series the collection features literary commentary, art inspired by colonial connections, and historical examples of repression; it encompasses a variety of scholarly fields. By illustrating the impact of colonial thought through both literary and socio-historical examples, Colonial Continuities is a striking way of honoring the late Kate Marsh.’ Hope Hecht, The French Review

Sarah Arens is a British Academy Postdoctoral Fellow and Lecturer in French at the University of Liverpool. Nicola Frith is a Senior Lecturer in French and Francophone Studies at the University of Edinburgh. Jonathan Lewis is a Lecturer in French and Francophone Studies at Bangor University. Rebekah Vince is a Lecturer in French at Queen Mary University of London.

• Illustrations Acknowledgements Introduction Sarah Arens, Nicola Frith, Jonathan Lewis and Rebekah Vince I. Colonial Continuities and NostalgiaBayadères in the French Imagination: A Persistent Dance Tessa Ashlin NunnJean-Paul Kauffmann: Nostalgia, Empire and Imagined Resurrections Patrick CrowleyA Russian Love Affair: Memory, Nostalgia and Transimperial Connections Srilata Ravi Colonialism, Race and Caribbean Migration: A History of the BUMIDOM Antonia WimbushContinuity or Rupture?: Remapping the End of Empire in Marguerite Duras’s ‘Cycle Indien’ Julia WatersThe Visible Other: Muslim Women, Feminism, and National Identity in France Edwige CrucifixBridgeSlaves of Fashion. Les Indiennes: The Extended Triangle The Singh TwinsII. Decoloniality and Transcolonial Modes of ResistanceHidden Heritages and Unlikely Legacies: An Eastern Jerusalem in Hubert Haddad’s Premières neiges sur Pondichéry Rebekah VinceDecolonizing Collective Memory from within: Rwandan Remembrance in Belgium and France Catherine GilbertDivided Worlds, Distorted Selves: Coloniality and the Process of Identification inYasmina Khadra’s Ce que le jour doit à la nuit Abdelbaqi GhorabThe Enslaved Man in Un Cœur simple: A Story within a Story Sucheta KapoorMobility, Immobility and Transgression: Representations of Dangerous Travellersin Mounsi’s La Noce des fous Jonathan LewisPolicing Black Anti-Colonial Activism in Interwar France: The Surveillance ofLamine Senghor in Fréjus, Marseille and Bordeaux David MurphyAfterword Charles Forsdick

‘As an interdisciplinary series the collection features literary commentary, art inspired by colonial connections, and historical examples of repression; it encompasses a variety of scholarly fields. By illustrating the impact of colonial thought through both literary and socio-historical examples, Colonial Continuities is a striking way of honoring the late Kate Marsh.’ Hope Hecht, The French Review

Sarah Arens is a British Academy Postdoctoral Fellow and Lecturer in French at the University of Liverpool. Nicola Frith is a Senior Lecturer in French and Francophone Studies at the University of Edinburgh. Jonathan Lewis is a Lecturer in French and Francophone Studies at Bangor University. Rebekah Vince is a Lecturer in French at Queen Mary University of London.

• Illustrations Acknowledgements Introduction Sarah Arens, Nicola Frith, Jonathan Lewis and Rebekah Vince I. Colonial Continuities and NostalgiaBayadères in the French Imagination: A Persistent Dance Tessa Ashlin NunnJean-Paul Kauffmann: Nostalgia, Empire and Imagined Resurrections Patrick CrowleyA Russian Love Affair: Memory, Nostalgia and Transimperial Connections Srilata Ravi Colonialism, Race and Caribbean Migration: A History of the BUMIDOM Antonia WimbushContinuity or Rupture?: Remapping the End of Empire in Marguerite Duras’s ‘Cycle Indien’ Julia WatersThe Visible Other: Muslim Women, Feminism, and National Identity in France Edwige CrucifixBridgeSlaves of Fashion. Les Indiennes: The Extended Triangle The Singh TwinsII. Decoloniality and Transcolonial Modes of ResistanceHidden Heritages and Unlikely Legacies: An Eastern Jerusalem in Hubert Haddad’s Premières neiges sur Pondichéry Rebekah VinceDecolonizing Collective Memory from within: Rwandan Remembrance in Belgium and France Catherine GilbertDivided Worlds, Distorted Selves: Coloniality and the Process of Identification inYasmina Khadra’s Ce que le jour doit à la nuit Abdelbaqi GhorabThe Enslaved Man in Un Cœur simple: A Story within a Story Sucheta KapoorMobility, Immobility and Transgression: Representations of Dangerous Travellersin Mounsi’s La Noce des fous Jonathan LewisPolicing Black Anti-Colonial Activism in Interwar France: The Surveillance ofLamine Senghor in Fréjus, Marseille and Bordeaux David MurphyAfterword Charles Forsdick

‘As an interdisciplinary series the collection features literary commentary, art inspired by colonial connections, and historical examples of repression; it encompasses a variety of scholarly fields. By illustrating the impact of colonial thought through both literary and socio-historical examples, Colonial Continuities is a striking way of honoring the late Kate Marsh.’ Hope Hecht, The French Review