• Volume 3 1894–1898 Introduction: Volume 3 Chronology (1894–8) Major Roles Played by Ellen Terry Letters 1 Th e New Woman and the Seven Ages (1894) 2 Men of Destiny and Dependants (1895) 3 Losses and Gains (1896) 4 Devils and their Disciples (1897) 5 With a Grain of Salt (1898) 6 Undated Letters (c. 1894–8)

'the value of this collection lies primarily in its potential as a source for research ... a worthwhile investment for major libraries.' Women's History Review 'the volume, with its discerning and informative introduction and transcripts of more than four hundred letters, testifies to the knowledge and skills of its editor, and gives a fresh, vivid and engaging picture of a brilliant and great-hearted artist.' Theatre Notebook

• Volume 3 1894–1898 Introduction: Volume 3 Chronology (1894–8) Major Roles Played by Ellen Terry Letters 1 Th e New Woman and the Seven Ages (1894) 2 Men of Destiny and Dependants (1895) 3 Losses and Gains (1896) 4 Devils and their Disciples (1897) 5 With a Grain of Salt (1898) 6 Undated Letters (c. 1894–8)

'the value of this collection lies primarily in its potential as a source for research ... a worthwhile investment for major libraries.' Women's History Review 'the volume, with its discerning and informative introduction and transcripts of more than four hundred letters, testifies to the knowledge and skills of its editor, and gives a fresh, vivid and engaging picture of a brilliant and great-hearted artist.' Theatre Notebook

• Volume 3 1894–1898 Introduction: Volume 3 Chronology (1894–8) Major Roles Played by Ellen Terry Letters 1 Th e New Woman and the Seven Ages (1894) 2 Men of Destiny and Dependants (1895) 3 Losses and Gains (1896) 4 Devils and their Disciples (1897) 5 With a Grain of Salt (1898) 6 Undated Letters (c. 1894–8)

'the value of this collection lies primarily in its potential as a source for research ... a worthwhile investment for major libraries.' Women's History Review 'the volume, with its discerning and informative introduction and transcripts of more than four hundred letters, testifies to the knowledge and skills of its editor, and gives a fresh, vivid and engaging picture of a brilliant and great-hearted artist.' Theatre Notebook