Collage in Twentieth-Century Art, Literature, and Culture

Joseph Cornell, William Burroughs, Frank O’Hara, and Bob Dylan

Inbunden, Engelska, 2014

AvRona Cran

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Emphasizing the diversity of twentieth-century collage practices, Rona Cran's book explores the role that it played in the work of Joseph Cornell, William Burroughs, Frank O'Hara, and Bob Dylan. For all four, collage was an important creative catalyst, employed cathartically, aggressively, and experimentally. Collage's catalytic effect, Cran argues, enabled each to overcome a potentially destabilizing crisis in representation. Cornell, convinced that he was an artist and yet hampered by his inability to draw or paint, used collage to gain access to the art world and to show what he was capable of given the right medium. Burroughs' formal problems with linear composition were turned to his advantage by collage, which enabled him to move beyond narrative and chronological requirement. O'Hara used collage to navigate an effective path between plastic art and literature, and to choose the facets of each which best suited his compositional style. Bob Dylan's self-conscious application of collage techniques elevated his brand of rock-and-roll to a level of heightened aestheticism. Throughout her book, Cran shows that to delineate collage stringently as one thing or another is to severely limit our understanding of the work of the artists and writers who came to use it in non-traditional ways.

Produktinformation

Utgivningsdatum2014-10-01
Mått156 x 234 x 23 mm
Vikt540 g
FormatInbunden
SpråkEngelska
Antal sidor258
FörlagTaylor & Francis Ltd
ISBN9781472430960

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Litteraturvetenskap inom Skonlitteratur
Populärmusik inom Kultur
Socialhistoria och kulturhistoria inom Historia och arkeologi

Chapter Introduction: Catalysing Encounters; Chapter 1 Habitat New York: Joseph Cornell’s ‘imaginative universe’; Chapter 2 ‘Confusion hath fuck his masterpiece’: Re-reading William Burroughs, from Junky to Nova Express; Chapter 3 ‘Donc le poète est vraiment voleur du feu’: Frank O’Hara and the Poetics of Love and Theft; Chapter 4 Bob Dylan and Collage: ‘A deliberate cultural jumble’;

"Rona Cran’s study of this highly experimental technique - particularly its evolution in late modernism and early postmodernism - is rendered in clear and provocative language. Her book unfolds as artistically as a collage, the discovery apparent in the telling." - Timothy Gray, CUNY - College of Staten Island"a thoughtful set of related essays on an American quartet – collagist and box-maker extraordinaire Joseph Cornell, novelist William Burroughs, poet Frank O’Hara, and finally Bob Dylan, the ongoing question as to whether the latter is best described as poet, musician, multi-media, or sui generis artist being one that Rona Cran answers more convincingly than most." - Geoff Ward, Cambridge Quarterly"Cran, in effect, uses her impressionistic interpretation of selected artworks as a way of curating an exhibition-like concept in book form." -Kevin J. Hunt, Journal of American Studies

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