Evangelos Chrysagis holds a PhD in social anthropology from the University of Edinburgh. His doctoral research explored the intersection of ‘Do-it-Yourself’ (DiY) music practices and ethics in Glasgow. His articles have appeared in the Journal of Cultural Economy and Visual Culture in Britain. Evangelos serves as associate editor of the open-access journal Arts & International Affairs, and his current research focuses on manifestos in contemporary cultural production.

• PrefaceIntroduction: Collaborative IntimaciesEvangelos Chrysagis and Panas KarampampasPART I: SOUND, MEANING AND SELF-AWARENESSChapter 1. Being in Sound: Reflections on Recording while Practicing Aikido and ShakuhachiTamara Kohn and Richard ChenhallChapter 2. Performing and Narrating Selves in and through Classical Music: Being ‘Japanese’ and Being a Professional Musician in LondonYuki ImotoPART II: PEDAGOGIES OF BODILY MOVEMENTChapter 3. Kinaesthetic Intimacy in a Choreographic PracticeBrenda Farnell and Robert N. WoodChapter 4. The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving GoffmanBethany WhitesidePART III: MUSIC PRACTICES AND ETHICAL SELFHOODChapter 5. The Animador as Ethical Mediator:  Stage Talk and Subject Formation at Peruvian Huayno Music SpectaclesJames ButterworthChapter 6. A Sense of Togetherness: Music Promotion and Ethics in GlasgowEvangelos ChrysagisPART IV: BODIES DANCING IN TIME AND ACROSS SPACEChapter 7. Rumba: Heritage, Tourism and the ‘Authentic’ Afro-Cuban ExperienceRuxandra AnaChapter 8. Cinematic Dance as a Local Critical Commentary on the ‘Economic Crisis’: Exploring Dance in Korydallos, Attica, GreeceMimina PaterakiPART V: MOTION, IRONY AND THE MAKING OF LIFEWORLDSChapter 9. Performing Irony on the Dance Floor: The Many Faces of Goth Irony in the Athenian Goth ScenePanas KarampampasChapter 10. The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea)Borut TelbanIndex

“The book chapters demonstrate rich ethnographic and disciplinary diversity.” • Social Anthropology“Collaborative Intimacies in Music and Dance is an innovative collection of sound and movement anthropologies. These interdisciplinary texts employ the timely and sharp lens of critical studies while engaging with post-colonial cultural studies. A vital, exemplary collection of ethnographic writing.” • Dena Davida, Université du Québec à Montréal“An absolutely fascinating collection. The diverse case studies in this book wonderfully explore the contrasts between different cultural attitudes toward the practices of music-making and dance.” • Yvon Bonenfant, University of Winchester

Evangelos Chrysagis holds a PhD in social anthropology from the University of Edinburgh. His doctoral research explored the intersection of ‘Do-it-Yourself’ (DiY) music practices and ethics in Glasgow. His articles have appeared in the Journal of Cultural Economy and Visual Culture in Britain. Evangelos serves as associate editor of the open-access journal Arts & International Affairs, and his current research focuses on manifestos in contemporary cultural production.

• PrefaceIntroduction: Collaborative IntimaciesEvangelos Chrysagis and Panas KarampampasPART I: SOUND, MEANING AND SELF-AWARENESSChapter 1. Being in Sound: Reflections on Recording while Practicing Aikido and ShakuhachiTamara Kohn and Richard ChenhallChapter 2. Performing and Narrating Selves in and through Classical Music: Being ‘Japanese’ and Being a Professional Musician in LondonYuki ImotoPART II: PEDAGOGIES OF BODILY MOVEMENTChapter 3. Kinaesthetic Intimacy in a Choreographic PracticeBrenda Farnell and Robert N. WoodChapter 4. The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving GoffmanBethany WhitesidePART III: MUSIC PRACTICES AND ETHICAL SELFHOODChapter 5. The Animador as Ethical Mediator:  Stage Talk and Subject Formation at Peruvian Huayno Music SpectaclesJames ButterworthChapter 6. A Sense of Togetherness: Music Promotion and Ethics in GlasgowEvangelos ChrysagisPART IV: BODIES DANCING IN TIME AND ACROSS SPACEChapter 7. Rumba: Heritage, Tourism and the ‘Authentic’ Afro-Cuban ExperienceRuxandra AnaChapter 8. Cinematic Dance as a Local Critical Commentary on the ‘Economic Crisis’: Exploring Dance in Korydallos, Attica, GreeceMimina PaterakiPART V: MOTION, IRONY AND THE MAKING OF LIFEWORLDSChapter 9. Performing Irony on the Dance Floor: The Many Faces of Goth Irony in the Athenian Goth ScenePanas KarampampasChapter 10. The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea)Borut TelbanIndex

“The book chapters demonstrate rich ethnographic and disciplinary diversity.” • Social Anthropology“Collaborative Intimacies in Music and Dance is an innovative collection of sound and movement anthropologies. These interdisciplinary texts employ the timely and sharp lens of critical studies while engaging with post-colonial cultural studies. A vital, exemplary collection of ethnographic writing.” • Dena Davida, Université du Québec à Montréal“An absolutely fascinating collection. The diverse case studies in this book wonderfully explore the contrasts between different cultural attitudes toward the practices of music-making and dance.” • Yvon Bonenfant, University of Winchester

Evangelos Chrysagis holds a PhD in social anthropology from the University of Edinburgh. His doctoral research explored the intersection of ‘Do-it-Yourself’ (DiY) music practices and ethics in Glasgow. His articles have appeared in the Journal of Cultural Economy and Visual Culture in Britain. Evangelos serves as associate editor of the open-access journal Arts & International Affairs, and his current research focuses on manifestos in contemporary cultural production.

• PrefaceIntroduction: Collaborative IntimaciesEvangelos Chrysagis and Panas KarampampasPART I: SOUND, MEANING AND SELF-AWARENESSChapter 1. Being in Sound: Reflections on Recording while Practicing Aikido and ShakuhachiTamara Kohn and Richard ChenhallChapter 2. Performing and Narrating Selves in and through Classical Music: Being ‘Japanese’ and Being a Professional Musician in LondonYuki ImotoPART II: PEDAGOGIES OF BODILY MOVEMENTChapter 3. Kinaesthetic Intimacy in a Choreographic PracticeBrenda Farnell and Robert N. WoodChapter 4. The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving GoffmanBethany WhitesidePART III: MUSIC PRACTICES AND ETHICAL SELFHOODChapter 5. The Animador as Ethical Mediator:  Stage Talk and Subject Formation at Peruvian Huayno Music SpectaclesJames ButterworthChapter 6. A Sense of Togetherness: Music Promotion and Ethics in GlasgowEvangelos ChrysagisPART IV: BODIES DANCING IN TIME AND ACROSS SPACEChapter 7. Rumba: Heritage, Tourism and the ‘Authentic’ Afro-Cuban ExperienceRuxandra AnaChapter 8. Cinematic Dance as a Local Critical Commentary on the ‘Economic Crisis’: Exploring Dance in Korydallos, Attica, GreeceMimina PaterakiPART V: MOTION, IRONY AND THE MAKING OF LIFEWORLDSChapter 9. Performing Irony on the Dance Floor: The Many Faces of Goth Irony in the Athenian Goth ScenePanas KarampampasChapter 10. The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea)Borut TelbanIndex

“The book chapters demonstrate rich ethnographic and disciplinary diversity.” • Social Anthropology“Collaborative Intimacies in Music and Dance is an innovative collection of sound and movement anthropologies. These interdisciplinary texts employ the timely and sharp lens of critical studies while engaging with post-colonial cultural studies. A vital, exemplary collection of ethnographic writing.” • Dena Davida, Université du Québec à Montréal“An absolutely fascinating collection. The diverse case studies in this book wonderfully explore the contrasts between different cultural attitudes toward the practices of music-making and dance.” • Yvon Bonenfant, University of Winchester