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Mike Bartlett - Cock, Häftad

Häftad, Engelska, 2022

Del i serien Modern Plays

Cock

Av Mike Bartlett

259 kr

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Beskrivning
The fact is that some of us like women and some like men and that’s fine that’s good in fact that’s good, a good thing, but it seems to me that you’ve become confused.John is happy in himself, and with his boyfriend, until one day he meets the woman of his dreams.In a world full of endless possibilities why must we still limit ourselves with labels? Mike Bartlett’s razor sharp play about love and identity redefines the battle of the sexes as we know it.Cock premiered at the Royal Court Theatre, London, on 13 November 2009. This new and revised edition was published to coincide with the West End production in 2022, starring Jonathan Bailey, Taron Egerton and Jade Anouka.
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Mike Bartlett is a multi-award-winning writer for both stage and screen. Theatre includes: Scandaltown (Lyric Hammersmith Theatre); The 47th (The Old Vic); Cock (The Ambassadors’ Theatre/Royal Court); Mrs Delgado (Arts at the Old Fire Station/Theatre Royal Bath/Oxford Playhouse); Albion, Game (Almeida); Snowflake (Arts at the Old Fire Station); Wild (Hampstead Theatre); King Charles III (Almeida Theatre/Wyndham’s Theatre/Music Box Theatre, New York); An Intervention (Paines Plough/Watford); Bull (Sheffield Theatres/Off Broadway/Young Vic); Medea (Headlong/Glasgow Citizens/Watford/Warwick); Chariots of Fire (Hampstead Theatre/Gielgud Theatre); 13 (Royal Court); Decade (Headlong); Earthquakes in London (Headlong, National Theatre); Love, Love, Love (Paines Plough / Plymouth Theatre Royal/Royal Court/Roundabout Theatre Company, New York/Lyric Hammersmith Theatre);Contractions (Royal Court/Crucible Theatre, Sheffield); My Child (Royal Court); Artefacts (Bush Theatre/ Nabokov); Television includes: Life, Doctor Foster SE2, King Charles III, Doctor Foster SE1 (Drama Republic/BBC); Sticks and Stones, Trauma (Tall Story Pictures/ITV); Press (Lookout Point/BBC).

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A smart, prickly and rewarding view of sexual and emotional confusion . . . The writing is lubricious, sometimes grubby and in places savagely unpleasant. But it has a wounding authenticity. We laugh nervously, aware of its precision.

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