Clean

Alia Trabucco Zerán was born in Chile in 1983. She was awarded a Fulbright scholarship for her MFA in Creative Writing at New York University and she holds a PhD in Spanish and Latin American Studies from University College London. Her debut novel, The Remainder was shortlisted for the International Booker Prize 2019. Her non-fiction title, When Women Kill won the British Academy Book Prize 2022 and was shortlisted for the National Books Critics Circle Criticism Award, and film rights have been sold. Her latest novel, Clean, is being translated into 15 languages. She won the Eccles Centre & Hay Festival Writer’s Award 2024 for her next project. She lives in Santiago.

‘[A] devilishly well-paced thriller… deftly entwined with reflections on class and oppression’ New Yorker‘Extraordinary … an intense novel about class and power and the kind of deep down rot that lingers, despite the most vigorous scrubbing’ NPR Fresh Air‘A spellbinding nightmare … A biting, addictive portrait of the rot ‘good families’ conceal’ Fernanda Melchor, author of Hurricane Season'Rich and compelling…Uncomfortable and provocative' Financial Times‘Compelling, claustrophobic and irresistible … a masterclass in suspense and a clear-eyed portrait of isolation and grief’ Paula Hawkins, author of Blind Spot‘A book of intense power’ Philippe Sands, author of The Last Colony'Compelling … with a tightly coiled power' Pandora Sykes, author of How Do We Know We're Doing it Right?‘This unnerving Chilean literary thriller cuts like a knife… Trabucco is a rising star’ The Bookseller‘Zerán is a powerhouse … explosive and exhilarating’ Katie Kitamura, author of Intimacies‘A strong narrative energy drives the novel to its conclusion, by which time the atmosphere is so full of dread you could weigh it’ Guardian'Disturbing and commanding … [a] gripping intimate story' Laline Paull, author of Pod‘A remarkable, gripping exploration of the dynamics of class, agency and culpability’ Sarah Bernstein, author of Study for Obedience'Brutal, beautiful, feverishly propulsive’ Jenny Mustard, author of Okay Days‘A white-knuckle ride that kept me gripped from the very first page … I hardly paused for breath’ Alice Slater, author of Death of a Bookseller'A unique, chilling read' Press Association‘Buzzing with tension, crime and menacingly complex class divisions’ Holly Pester, author of The Lodgers‘A novel of disturbing intensity and startling clarity’ Helen Charman, author of Mother State‘Pacy yet vivid’ Jen Calleja, author of Vehicle‘A hypnotic and coldly, powerfully precise novel’ Marina Kemp, author of The Unwilding