Classics and the Uses of Reception

• Utgivningsdatum: 2006-08-31
• Mått: 183 x 254 x 25 mm
• Vikt: 762 g
• Format: Inbunden
• Språk: Engelska
• Serie: Classical Receptions
• Antal sidor: 352
• Förlag: John Wiley and Sons Ltd
• ISBN: 9781405131469

• Litteraturvetenskap

Charles Martindale is Professor of Latin at the University of Bristol He has written extensively on the reception of classical poetry. In addition to the theoretical Redeeming the Text: Latin Poetry and the Hermeneutics of Reception (1993), he has edited or coedited collections on the receptions of Virgil, Horace, and Ovid, as well as Shakespeare and the Classics (2004). His most recent book is Latin Poetry and the Judgement of Taste: An Essay in Aesthetics (2005). Richard F. Thomas is Professor of Greek and Latin at Harvard University. His interests are generally focused on Hellenistic Greek and Roman literature, on intertextuality, and on the reception of classical literature in all periods. Recent books include Reading Virgil and His Texts: Studies in Intertextuality (1999) and Virgil and the Augustan Reception (2001). He is currently working on a commentary to Horace, Odes 4 and a coedited volume on the performance artistry of Bob Dylan.

?Classics has a particular stake in critical thought that addresses the problem of our (as classicists and readers) historical alienation from the texts we read.? (Classics Journal Online, September 2009) "There is much of great value scattered throughout the volume." (The Classical Review, 2008)"This collection of essays, a volume in the Classical Reception Series edited by Maria Wyke, deserves the close attention of anyone with an interest in reception studies and in particular in reception theory." (Journal of Hellenic Studies, February 2009)"[A] landmark collection ... The volume as a whole offers readers an enriched theoretical understanding of reception and its uses." (Fabula)"This body of work is not just a coordinated foray into someone else's territory; students of classical reception are writing a collective autobiography and developing a new charter for our discipline." (Bryn Mawr Classical Review)

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