Belfast, Beirut and Berlin are notorious for their internal boundaries and borders. As symbols for political disunion, the three cities have inspired scriptwriters and directors from diverse cultural backgrounds. Despite their different histories, they share a wide range of features central to divided cities. In each city, particular territories take on specific symbolic and psychological meanings. Following a comparative approach, this book concentrates on the cinematographic representations of Belfast, Beirut and Berlin. Filmmakers are in constant search of new ways in order to engage with urban division. Making use of a variety of genres reaching from thriller to comedy, they explore the three cities’ internal and external borders, as well as the psychological boundaries existing between citizens belonging to different communities. Among the characters featuring in films set in Belfast, Berlin and Beirut, we may count dangerous gunmen, prisoners’ wives, soldiers and snipers, but also comic Stasi-members, punk aficionados and fake nuns. The various characters contribute to the creation of a multifaceted image of city limits in troubled times.
Stephanie Schwerter is Professor of Anglophone Literature at the Université Polytechnique Hauts-de-France, France. She spent six years in Northern Ireland, working at the University of Ulster and at Queen’s University Belfast. Her research interest is in the literary and cinematographic representation of divided cities.
1. Historical and Cultural Background2. Urban Space and Territoriality3. Tropes of Violence 4. Representing Division through Humor5. Between Present, Past and FutureConclusionBibliographyIndex
This book is an insightful and ambitious examination of the representation and imagination of the divided cities of Belfast, Beirut and Berlin in cinema. Schwerter investigates aspects highly relevant to film and conflict studies as well as to the interdisciplinary field of cultural studies, centered on comparative film analyses of altogether 35 films.