Citation, Intertextuality and Memory in the Middle Ages and Renaissance volume 2

Yolanda Plumley is Director of the Centre for Medieval Studies at the University of Exeter and Reader in Medieval Music and Culture. Giuliano Di Bacco is Research Fellow in Medieval Studies at the University of Exeter.

• 1.GIULIANO DI BACCO and YOLANDA PLUMLEY Preface2.ARDIS BUTTERFIELD Introduction3.R. BARTON PALMER The Rhetoric of Allusion in Machaut’s Fonteinne amoureuse4.JENNY BENHAM Constructing Memories of Peacemaking5.LINA BOLZONI The Impassioned Memory in Dante’s Divina commedia6.ANNA MARIA BUSSE BERGER Quotation in Medieval Polyphony7.EMMA CAYLEY Citation as Transvestism in Fifteenth Century French Poetry8.HELEN DEEMING Music, Memory and Mobility: Citation and Contrafactum in Thirteenth-Century Sequence Repertories9.SONJA DRIMMER Allusive Images: Intervisuality in Late Middle English Manuscripts?10.NAOMI HOWELL Sensory Sepulchres: Citations of Christ's Tomb in Twelfth-Century Romance11.MARGUERITE KEANE Memory and Royal Identity in the Chapel of Blanche of Navarre at Saint Denis12.TAMSYN ROSE-STEEL "An Unjust and Treacherous Word": the Use of Citational Practices and Language in a Fauvel Motet13.SJOERD LEVELT Citation and Misappropriation in Geoffrey of Monmouth's Historia regum Britannieand the Latin Galfridian Tradition14.JENNIFER SALTZSTEIN Refrain Citation and Vernacular Authority in the Music of Adam de la Halle

Reviews'A richly textured demonstration of the difference between medieval and modern capacities for memory and understanding of originality and invention in the arts.'Renaissance Quarterly