Del i serien Exeter Studies in Medieval Europe

Citation, Intertextuality and Memory in the Middle Ages and Renaissance volume 1

Text, Music and Image from Machaut to Ariosto

Inbunden, Engelska, 2011

AvYolanda Plumley,Giuliano Di Bacco,Stefano Jossa

3 309 kr

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From the Middle Ages onwards, writers, artists and composers became self-consciously aware of the vast potential for external references to enrich their works. By evoking canonical texts and their producers from the distant or more recent past, authors demonstrated their respect for tradition while showcasing their own merits. In so doing they also manipulated the memory of their readers. This volume represents a multidisciplinary approach to the themes of citation and intertextual play. It is also an exploration of the role of memory in the cultural production of the late Middle Ages and early Renaissance. The essays investigate work by renowned authors, composers and artists, as well as less familiar sources, from France, England and Italy.

Produktinformation

Utgivningsdatum2011-07-22
Mått163 x 239 x undefined mm
FormatInbunden
SpråkEngelska
SerieExeter Studies in Medieval Europe
Antal sidor288
FörlagLiverpool University Press
ISBN9780859898515

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Introduction by Lina Bolzoni (scuola Normale Superiore, Pisa, Italy)1. Benjamin Albritton (Washington State University, USA) Translation and Parody: Responses to Machaut's Lay de confort2. Jacques Boogaart (University of Amsterdam, Netherlands) Folie couvient avoir. Citation and Transformation in Machaut's Musical Works: Gender Change and Transgression3. Ardis Butterfield (University College London) The Construction of Textual Form: Cross-Lingual Citation in the Medieval Lyric4. Monica Calabritto (City University of New York, USA) Examples, References and Quotations in Sixteenth-Century Medical Texts5. Alessandro Daneloni (University of Messina, Italy) Auctores and Auctoritas in the Preface to Angelo Poliziano's Miscellaneorum Centuria Prima6. Stefano Jossa (Royal Holloway University of London) Classical Memory and Modern Poetics in Ariosto's Orlando furioso7. Domenic Leo (Youngstown State University, USA) The Beginning is the End: Guillaume de Machaut's Illuminated Prologue8. Anthony Musson (University of Exeter) The Power of Image: Allusion and Intertextuality in Illuminated English Law books9. R. Barton Palmer (Clemson University, USA) Self-Allusion and the Poetics of Metafictionality in Guillaume de Machaut's Voir-Dit10. Kathleen Palti (University College London) Representations of Voices in Middle English Lyrics11. Jan Stejskal (University of Olomouc, Czech Republic) Memory and Heresy: Perception of the Hussite Reformation in 15th-century Tuscany12. Anne Stone (City University of New York, USA) Machaut Sighted in Modena13. Karel Thein (University of Prague, Czech Republic) Image, Memory and Judgement. On Ambrogio Lorenzetti's Good Government frescoes and his Allegory of RedemptionBibliographyIndex