CineWorlding

Scenes of Cinematic Research-Creation

Häftad, Engelska, 2024

AvMichael B. MacDonald,Professor or Dr. Michael B. MacDonald,Michael B. Macdonald

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Using cine-ethnomusicology as a focus, Cineworlding introduces readers to ways of thinking eco-cinematically. Screens are omnipresent, we carry digital cinema production equipment in our pockets, but this screen-based technological revolution has barely impacted social science scholarship. Mixing existential phenomenological fiction about social science digital cinema research practice followed by theoretical reflection and discussion of methods, this book has emerged from a decade-long inquiry into cineworlding and a desire to help others produce digital media to engage creatively with the digital networks that surround us.

Produktinformation

Utgivningsdatum2024-08-22
Mått150 x 228 x 20 mm
Vikt460 g
FormatHäftad
SpråkEngelska
Antal sidor320
FörlagBloomsbury Publishing Plc
ISBN9781501369438

Tillhör följande kategorier

Musikböcker inom Kultur
Film inom Kultur
Filmmusik, musikaler och teatermusik inom Kultur
Musikvetenskap inom Kultur

Michael B. MacDonald is Associate Professor of Music at the MacEwan University Faculty of Fine Arts and Communications, Canada. He is the founding program chair of the MusCan Film Series, serves on the editorial board of the journal Intersections, is the program committee for KISMIF (Keep it Simple, Make it Fast), is on the scientific committee for COMbART, and is an active member of the International Council of Traditional Music Study Group on Audiovisual Ethnomusicology. He is the author of Playing for Change (2016), Remix and Life Hack in HipHop (2016), and Finding Phish (2020).

AcknowledgementsIntroduction: A Cinematic Style of Thought1. Cineworlding with Musics’ Undercommons2. A Worlding Proposition For/From an Alternate Reality 3. Living Flame of Love: Creative Practice Research and Practical Musicology4. Virtual and Actual in Posthumanography5. Diagrammatic Posthumanography of Margø’s “In Between” 6. Bodying in Intensive and Extensive Spaces: “John Wort Hannam is a Poor Man” 7. Quartet 2 and Affective Vectoring 8. Crystal Image in Cinematic Research-Creation: Pimachihowan, A Case Study 9. The Crowd Behind the Lens: We’re Too Loud10. Elders’ Room: The Opportunities and Challenges of Decoloniality 11. Activist Minor Cinema NotesIndex