Professor Annette Kuhn FBA is Emeritus Professor in Film Studies at Queen Mary University of London. Her books include Family Secrets: Acts of Memory and Imagination; An Everyday Magic: Cinema and Cultural Memory; Exploring Cinema Memory; and, with Guy Westwell, Oxford Dictionary of Film Studies. Professor Sarah Neely is Professor of Theatre, Film & Television Studies at the University of Glasgow. She is the author of Between Categories: The Films of Margaret Tait (2016) and editor of Margaret Tait: Persona (2020), Margaret Tait: Poems, Stories and Writings (2012) and Reel to Rattling Reel: Stories and Poems about Memories of Cinema-Going (2018) Richard Rushton is Professor in Film Studies at Lancaster University Jamie Terrill is a Research Associate on the AHRC funded Cinema Memory and the Digital Archive: 1930s Britain and Beyond project

• List of IllustrationsAcknowledgementsNotes on ContributorsPart I. Contexts1. Cinema memory and the archive; an introductionAnnette Kuhn, Sarah Neely, Richard Rushton and Jamie Terrill2. Tracing historical film cultures: reflections on the genealogy of New Cinema History, film audiences, mixed methods and triangulationDaniel Biltereyst and Philippe Meers3. Against the loss of cinema memory: tracing repetition and diasporic contextsDaniela Treveri GennariPart II. Cinema Memory4. Remembering a lost cinema space: Trabzon’s Sümer CinemaSibel Kaba5. From the group to the personal to the digital: evolving modes of memorialising viewer engagement with Japanese cinema cultureJennifer Coates6. Through the lens of memory: foreign-language films and other worlds in the UK in the 1950s and 1960sMargaret O’Brien7. Exploring MIFF: memories of film festivalgoing in MelbourneSusannah Radstone and Kirsten Stevens8. Cinema memory through the eyes of the stranger: migration, mobility and the British EmpireDalila MisseroPart III. The Archive9. It’s Alive! Creating a (digital) archive for the Cinema Culture in 1930s Britain collectionAnnie Nissen and Julia McDowell10. ‘I must apologise for having this letter typed’: star correspondence, intimacy, and digital accessLisa Stead11. Cinema memory, emotion and archivesSarah Neely12. Archival engagementsAnnette Kuhn13. Curating a research archive for the future and celebrating digital memories of joy and pleasureDagmar BrunowIndex

Professor Annette Kuhn FBA is Emeritus Professor in Film Studies at Queen Mary University of London. Her books include Family Secrets: Acts of Memory and Imagination; An Everyday Magic: Cinema and Cultural Memory; Exploring Cinema Memory; and, with Guy Westwell, Oxford Dictionary of Film Studies. Professor Sarah Neely is Professor of Theatre, Film & Television Studies at the University of Glasgow. She is the author of Between Categories: The Films of Margaret Tait (2016) and editor of Margaret Tait: Persona (2020), Margaret Tait: Poems, Stories and Writings (2012) and Reel to Rattling Reel: Stories and Poems about Memories of Cinema-Going (2018) Richard Rushton is Professor in Film Studies at Lancaster University Jamie Terrill is a Research Associate on the AHRC funded Cinema Memory and the Digital Archive: 1930s Britain and Beyond project

• List of IllustrationsAcknowledgementsNotes on ContributorsPart I. Contexts1. Cinema memory and the archive; an introductionAnnette Kuhn, Sarah Neely, Richard Rushton and Jamie Terrill2. Tracing historical film cultures: reflections on the genealogy of New Cinema History, film audiences, mixed methods and triangulationDaniel Biltereyst and Philippe Meers3. Against the loss of cinema memory: tracing repetition and diasporic contextsDaniela Treveri GennariPart II. Cinema Memory4. Remembering a lost cinema space: Trabzon’s Sümer CinemaSibel Kaba5. From the group to the personal to the digital: evolving modes of memorialising viewer engagement with Japanese cinema cultureJennifer Coates6. Through the lens of memory: foreign-language films and other worlds in the UK in the 1950s and 1960sMargaret O’Brien7. Exploring MIFF: memories of film festivalgoing in MelbourneSusannah Radstone and Kirsten Stevens8. Cinema memory through the eyes of the stranger: migration, mobility and the British EmpireDalila MisseroPart III. The Archive9. It’s Alive! Creating a (digital) archive for the Cinema Culture in 1930s Britain collectionAnnie Nissen and Julia McDowell10. ‘I must apologise for having this letter typed’: star correspondence, intimacy, and digital accessLisa Stead11. Cinema memory, emotion and archivesSarah Neely12. Archival engagementsAnnette Kuhn13. Curating a research archive for the future and celebrating digital memories of joy and pleasureDagmar BrunowIndex

Professor Annette Kuhn FBA is Emeritus Professor in Film Studies at Queen Mary University of London. Her books include Family Secrets: Acts of Memory and Imagination; An Everyday Magic: Cinema and Cultural Memory; Exploring Cinema Memory; and, with Guy Westwell, Oxford Dictionary of Film Studies. Professor Sarah Neely is Professor of Theatre, Film & Television Studies at the University of Glasgow. She is the author of Between Categories: The Films of Margaret Tait (2016) and editor of Margaret Tait: Persona (2020), Margaret Tait: Poems, Stories and Writings (2012) and Reel to Rattling Reel: Stories and Poems about Memories of Cinema-Going (2018) Richard Rushton is Professor in Film Studies at Lancaster University Jamie Terrill is a Research Associate on the AHRC funded Cinema Memory and the Digital Archive: 1930s Britain and Beyond project

• List of IllustrationsAcknowledgementsNotes on ContributorsPart I. Contexts1. Cinema memory and the archive; an introductionAnnette Kuhn, Sarah Neely, Richard Rushton and Jamie Terrill2. Tracing historical film cultures: reflections on the genealogy of New Cinema History, film audiences, mixed methods and triangulationDaniel Biltereyst and Philippe Meers3. Against the loss of cinema memory: tracing repetition and diasporic contextsDaniela Treveri GennariPart II. Cinema Memory4. Remembering a lost cinema space: Trabzon’s Sümer CinemaSibel Kaba5. From the group to the personal to the digital: evolving modes of memorialising viewer engagement with Japanese cinema cultureJennifer Coates6. Through the lens of memory: foreign-language films and other worlds in the UK in the 1950s and 1960sMargaret O’Brien7. Exploring MIFF: memories of film festivalgoing in MelbourneSusannah Radstone and Kirsten Stevens8. Cinema memory through the eyes of the stranger: migration, mobility and the British EmpireDalila MisseroPart III. The Archive9. It’s Alive! Creating a (digital) archive for the Cinema Culture in 1930s Britain collectionAnnie Nissen and Julia McDowell10. ‘I must apologise for having this letter typed’: star correspondence, intimacy, and digital accessLisa Stead11. Cinema memory, emotion and archivesSarah Neely12. Archival engagementsAnnette Kuhn13. Curating a research archive for the future and celebrating digital memories of joy and pleasureDagmar BrunowIndex