Chronicles of the Canongate

Sir Walter Scott, was a Scottish historical novelist, playwright and poet. Many of his works remain classics and include Ivanhoe, Rob Roy, Waverley, The Heart of Midlothian and The Bride of Lammermoor. Claire Lamont is Senior Lecturer in English Literature at the University of Newcastle.

The Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary ! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of compostion and his financial manoeuvres. This edition is for anyone who takes Scott seriously. With a judicious mixture of historical fact, seductive legend and a vivid imagination, [Scott] invented an entire country, complete with custom, tradition, genealogy, even national dress. It was a country called Scotland and, for better or for worse, we are still living in it. The great gain to literary studies of the Edinburgh Edition of the Waverley Novels comes ... from those volumes which make available reliable and scrupulously annotated texts of novels long out of print and consequently little read. Editors deserve high praise for the vast amount of completley original research which has gone into them .. These are splendid and timely editions which will and should drive renewed critical work on Scott and his literary and historical contexts. The Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary ! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of compostion and his financial manoeuvres. This edition is for anyone who takes Scott seriously. With a judicious mixture of historical fact, seductive legend and a vivid imagination, [Scott] invented an entire country, complete with custom, tradition, genealogy, even national dress. It was a country called Scotland and, for better or for worse, we are still living in it. The great gain to literary studies of the Edinburgh Edition of the Waverley Novels comes ... from those volumes which make available reliable and scrupulously annotated texts of novels long out of print and consequently little read. Editors deserve high praise for the vast amount of completley original research which has gone into them .. These are splendid and timely editions which will and should drive renewed critical work on Scott and his literary and historical contexts.