Akademibokhandeln
Kirk Melnikoff, Roslyn L. Knutson - Christopher Marlowe, Theatrical Commerce, and the Book Trade, Häftad

Häftad, Engelska, 2022

Christopher Marlowe, Theatrical Commerce, and the Book Trade

Av Kirk Melnikoff, Roslyn L. Knutson

619 kr

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Beskrivning
Presenting the first exploration of Christopher Marlowe's complex place in the canon, this collection reads Marlowe's work against an extensive backdrop of repertory, publication, transmission, and reception. Wide-ranging and thoughtful chapters consider Marlowe's deliberate engagements with the stage and print culture, the agents and methods involved in the transmission of his work, and his cultural reception in the light of repertory and print evidence. With contributions from major international scholars, the volume considers all of Marlowe's oeuvre, offering illuminating approaches to his extended animation in theatre and print, from the putative theatrical debut of Tamburlaine in 1587 to the most current editions of his work.
Produktinformation
  • Utgivningsdatum: 2022-06-23
  • Mått: 151 x 229 x 17 mm
  • Vikt: 487 g
  • Format: Häftad
  • Språk: Engelska
  • Antal sidor: 336
  • Förlag: Cambridge University Press
  • ISBN: 9781107566170
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Mer information

Kirk Melnikoff is Associate Professor of English at the University of North Carolina , Charlotte, is currently the President of the Marlowe Society of America, and was the 2013 co-winner of Calvin and Rose G. Hoffman Prize for a Distinguished Publication on Marlowe. He is the editor of Edward II: A Critical Reader (2016), has edited two volumes of essays on Marlowe's contemporary Robert Greene and is author of Elizabethan Publishing and the Makings of Literary Culture (forthcoming). Roslyn L. Knutson is Professor Emerita of English at the University of Arkansas at Little Rock. She is author of The Repertory of Shakespeare's Company, 1594–1613 (1991), Playing Companies and Commerce in Shakespeare's Time (2001) and founder and co-editor of the Lost Plays Database.

Recensioner i media

'The seventeen short chapters cut quickly to the chase, and Melnikoff and Knutson have deftly edited the whole into an unusually coherent collection. Their book will encourage readers to think again about the models of literary influence which so dominate Marlowe studies, but which often operate through cloudy reference to mighty lines and overreaching heroes.' Adam Smyth, The Times Literary Supplement

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