Chinese Urban Shi-nema

Cinematicity, Society and Millennial China

Häftad, Engelska, 2021

AvDavid H. Fleming,Simon Harrison

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This book dives into the mise-en-scène of contemporary China to explore the “becoming cinema” of Chinese cities, societies, and subjectivities. Set in the wake of China’s radical and rapid period of urbanization and infrastructural transformation, and situating itself in the processual city of Ningbo, the book combines empirical, ficto-critical, and philosophical methods to generate a dynamic account of everyday life as new forms of consumer culture bed in. Harnessing a Realist approach that allows for different scales of analysis, the book zooms in on five architectural assemblages including: surreal real estate showrooms; a fragmented history museum; China’s “first and best” Sino-foreign university; a new “Old town”; and weird gamified “any-now(here)-spaces.” Together these modern arrangements and machines for living cast light upon the broader picture sweeping up greater China.

Produktinformation

Utgivningsdatum2021-12-02
Mått148 x 210 x 15 mm
Vikt336 g
FormatHäftad
SpråkEngelska
Antal sidor235
FörlagSpringer Nature Switzerland AG
ISBN9783030496777

Tillhör följande kategorier

Sociologi inom Samhälle och politik
Sociala grupper och identitet inom Samhälle och politik
Scenkonst och film inom Kultur
Kulturvetenskap inom Samhälle och politik

David H. Fleming is Senior Lecturer in the Communication, Media and Culture division at the University of Stirling, Scotland. He is co-author of The Squid Cinema from Hell: Kinoteuthis Infernalis and the Emergence of Chthulhumedia with William Brown (2020), and the author of Unbecoming Cinema (2017).Simon Harrison is Assistant Professor in the Department of English at City University of Hong Kong. He is author of The Impulse to Gesture: Where Language, Minds, and Bodies Intersect (2018).

1. Introduction.- 2. Shi-Story and Theory.- 3. Commercial Overground Shi-Nema: Some Notes onCinematicity and Its Propensity for Selling Dream (Un) Real Estate in Contemporary China.- 4. In-dependent Art Shi-Nema: Decomposing the Main Melody via Monu-mental Time-Images.- 5. Transnational Sci-Fi Shi-nema: Or, Diary Notes from “Westworld” Regarding Neoliberal Dulosis, “Academic” Automatons and the Franchised Post-historical University in the Era of Global “Excellence”.- 6. Shi-Nematic Games (Casino Capitalism).- 7. Epilogue: Disneyfied Dreamwork Shinema-Tracing a New "Old" Path Through the Inauthentic "Traditional.