Poshek Fu is a professor of history, cinema studies, and East Asian languages and cultures at the University of Illinois, Urbana-Champaign. He is the author of Between Shanghai and Hong Kong: The Politics of Chinese Cinemas and Passivity, Resistance, and Collaboration: Intellectual Choices in Occupied Shanghai.

• Acknowledgments   viiIntroduction: The Shaw Brothers Diasporic Cinema   1Poshek Fu1. Shaw Cinema Enterprise and Understanding Cultural Industries   27Lily Kong2. Shaw's Cantonese Productions and Their Interactions with Contemporary Local and Hollywood Cinema   57Law Kar3. Embracing Glocalization and Hong Kong-Made Musical FIlm   74Siu Leung Li4. Three Readings of Hong Kong Nocturne   95Paul G. Pickowicz5. The Black-and-White Wenyi Films of Shaws   115Wong Ain-ling6. Territorialization and the Entertainment Industry of the Shaw Brothers in Southeast Asia   133Sai-shing Yung7. The Shaw Brothers' Malay FIlms   154Timothy P. Barnard8. Bridging the Pacific with Love Eterne   174Ramona Curry9. Black Audiences, Blaxploitation and Kung Fu Films, and Challenges to White Celluloid Masculinity   199Sundiata Keita Cha-Jua10. Shaw Brothers Cinema and the Hip-Hop Imagination   224Fanon Che Wilkins11. Reminiscences of the Life of an Actress in Shaw Brothers' Movietown   246Cheng Pei-pei(translated by Jing Jing Chang and Jeff McClain)Select Filmography   255Lane J. HarrisContributors   257Index   261

“Something for everyone . . . effectively lays down a solid foundation for further research.”--China Quarterly "An impressive, in-depth inquiry into the historical mutations, cultural innovations, and political implications of the rise and development of the Shaw Brothers’ movie empire. Of the many volumes on Hong Kong movie industries, this is the first to focus solely on the history of the Shaw Brothers."--David Der-wei Wang, author of The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China"This instructive book will be a pleasure for seasoned scholars and amateurs of Hong King cinema alike. Extremely useful for Asian cinema courses, this first book-length study of the Shaw Brothers--who were pioneers in the Chinese language and trans-Asian commercial film industry--provides valuable cultural history and global context."--Tonglin Lu, author of Confronting Modernity in the Cinemas in Taiwan and Mainland China "Reopens the gates to the Shaw Brothers' legend."--Electronic Book Review

Poshek Fu is a professor of history, cinema studies, and East Asian languages and cultures at the University of Illinois, Urbana-Champaign. He is the author of Between Shanghai and Hong Kong: The Politics of Chinese Cinemas and Passivity, Resistance, and Collaboration: Intellectual Choices in Occupied Shanghai.

• Acknowledgments   viiIntroduction: The Shaw Brothers Diasporic Cinema   1Poshek Fu1. Shaw Cinema Enterprise and Understanding Cultural Industries   27Lily Kong2. Shaw's Cantonese Productions and Their Interactions with Contemporary Local and Hollywood Cinema   57Law Kar3. Embracing Glocalization and Hong Kong-Made Musical FIlm   74Siu Leung Li4. Three Readings of Hong Kong Nocturne   95Paul G. Pickowicz5. The Black-and-White Wenyi Films of Shaws   115Wong Ain-ling6. Territorialization and the Entertainment Industry of the Shaw Brothers in Southeast Asia   133Sai-shing Yung7. The Shaw Brothers' Malay FIlms   154Timothy P. Barnard8. Bridging the Pacific with Love Eterne   174Ramona Curry9. Black Audiences, Blaxploitation and Kung Fu Films, and Challenges to White Celluloid Masculinity   199Sundiata Keita Cha-Jua10. Shaw Brothers Cinema and the Hip-Hop Imagination   224Fanon Che Wilkins11. Reminiscences of the Life of an Actress in Shaw Brothers' Movietown   246Cheng Pei-pei(translated by Jing Jing Chang and Jeff McClain)Select Filmography   255Lane J. HarrisContributors   257Index   261

“Something for everyone . . . effectively lays down a solid foundation for further research.”--China Quarterly "An impressive, in-depth inquiry into the historical mutations, cultural innovations, and political implications of the rise and development of the Shaw Brothers’ movie empire. Of the many volumes on Hong Kong movie industries, this is the first to focus solely on the history of the Shaw Brothers."--David Der-wei Wang, author of The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China"This instructive book will be a pleasure for seasoned scholars and amateurs of Hong King cinema alike. Extremely useful for Asian cinema courses, this first book-length study of the Shaw Brothers--who were pioneers in the Chinese language and trans-Asian commercial film industry--provides valuable cultural history and global context."--Tonglin Lu, author of Confronting Modernity in the Cinemas in Taiwan and Mainland China "Reopens the gates to the Shaw Brothers' legend."--Electronic Book Review

Poshek Fu is a professor of history, cinema studies, and East Asian languages and cultures at the University of Illinois, Urbana-Champaign. He is the author of Between Shanghai and Hong Kong: The Politics of Chinese Cinemas and Passivity, Resistance, and Collaboration: Intellectual Choices in Occupied Shanghai.

• Acknowledgments   viiIntroduction: The Shaw Brothers Diasporic Cinema   1Poshek Fu1. Shaw Cinema Enterprise and Understanding Cultural Industries   27Lily Kong2. Shaw's Cantonese Productions and Their Interactions with Contemporary Local and Hollywood Cinema   57Law Kar3. Embracing Glocalization and Hong Kong-Made Musical FIlm   74Siu Leung Li4. Three Readings of Hong Kong Nocturne   95Paul G. Pickowicz5. The Black-and-White Wenyi Films of Shaws   115Wong Ain-ling6. Territorialization and the Entertainment Industry of the Shaw Brothers in Southeast Asia   133Sai-shing Yung7. The Shaw Brothers' Malay FIlms   154Timothy P. Barnard8. Bridging the Pacific with Love Eterne   174Ramona Curry9. Black Audiences, Blaxploitation and Kung Fu Films, and Challenges to White Celluloid Masculinity   199Sundiata Keita Cha-Jua10. Shaw Brothers Cinema and the Hip-Hop Imagination   224Fanon Che Wilkins11. Reminiscences of the Life of an Actress in Shaw Brothers' Movietown   246Cheng Pei-pei(translated by Jing Jing Chang and Jeff McClain)Select Filmography   255Lane J. HarrisContributors   257Index   261

“Something for everyone . . . effectively lays down a solid foundation for further research.”--China Quarterly "An impressive, in-depth inquiry into the historical mutations, cultural innovations, and political implications of the rise and development of the Shaw Brothers’ movie empire. Of the many volumes on Hong Kong movie industries, this is the first to focus solely on the history of the Shaw Brothers."--David Der-wei Wang, author of The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China"This instructive book will be a pleasure for seasoned scholars and amateurs of Hong King cinema alike. Extremely useful for Asian cinema courses, this first book-length study of the Shaw Brothers--who were pioneers in the Chinese language and trans-Asian commercial film industry--provides valuable cultural history and global context."--Tonglin Lu, author of Confronting Modernity in the Cinemas in Taiwan and Mainland China "Reopens the gates to the Shaw Brothers' legend."--Electronic Book Review