Michael E. Birdwell is an Assistant Professor in History at Tennessee Tech and Curator of Alvin C. York's Papers. His work has been published in Film History, Literature/Film Quarterly, The Columbia Companion to Film, and several other journals.

"Contributes significantly to our understanding of how Warner Bros. crusaded against fascism from the middle 1930s to Pearl Harbor. Drawing on extensive archival research, Birdwell provides particularly lively discussions of Alvin York's conversion to interventionism during the making of Sergeant York and of the 1941 Nye-Clark Committee investigations of 'premature anti-fascism' in Hollywood." - Charles Maland,University of Tennessee "This study of the Warner Bros. Studio in relation to the coming of World War II will be a lasting contribution, not only on the impact of media on our nation's policiesa topic of concern for most thoughtful peoplebut also for academics in popular culture studies." - Peter Rollins,Editor-in-Chief, Film & History:An Interdisciplinary Journal of Film and Television Studies "Celluloid Soldiers contributes significantly to our understanding of how Warner Bros. crusaded against fascism from the middle 1930s to Pearl Harbor. Drawing on extensive archival research, Birdwell provides particularly lively discussions of Alvin York's conversion to interventionism during the making of Sergeant York and of the 1941 Nye-Clark Committee investigations of 'premature anti-fascism' in Hollywood." - Charles Maland,University of Tennessee "A compact, compelling, and controversial as a Warner Bros. classic. . . . A strongly executed tour de force." (Journal of American History) "Birdwell fruitfully charts the film company's laudable and outspoken stance against Nazism amid the politically charged yet divided loyalties of 1930s' Hollywood." (History (The Journal of the Historical Association),Oct. 2001)

Michael E. Birdwell is an Assistant Professor in History at Tennessee Tech and Curator of Alvin C. York's Papers. His work has been published in Film History, Literature/Film Quarterly, The Columbia Companion to Film, and several other journals.

"Contributes significantly to our understanding of how Warner Bros. crusaded against fascism from the middle 1930s to Pearl Harbor. Drawing on extensive archival research, Birdwell provides particularly lively discussions of Alvin York's conversion to interventionism during the making of Sergeant York and of the 1941 Nye-Clark Committee investigations of 'premature anti-fascism' in Hollywood." - Charles Maland,University of Tennessee "This study of the Warner Bros. Studio in relation to the coming of World War II will be a lasting contribution, not only on the impact of media on our nation's policiesa topic of concern for most thoughtful peoplebut also for academics in popular culture studies." - Peter Rollins,Editor-in-Chief, Film & History:An Interdisciplinary Journal of Film and Television Studies "Celluloid Soldiers contributes significantly to our understanding of how Warner Bros. crusaded against fascism from the middle 1930s to Pearl Harbor. Drawing on extensive archival research, Birdwell provides particularly lively discussions of Alvin York's conversion to interventionism during the making of Sergeant York and of the 1941 Nye-Clark Committee investigations of 'premature anti-fascism' in Hollywood." - Charles Maland,University of Tennessee "A compact, compelling, and controversial as a Warner Bros. classic. . . . A strongly executed tour de force." (Journal of American History) "Birdwell fruitfully charts the film company's laudable and outspoken stance against Nazism amid the politically charged yet divided loyalties of 1930s' Hollywood." (History (The Journal of the Historical Association),Oct. 2001)

Michael E. Birdwell is an Assistant Professor in History at Tennessee Tech and Curator of Alvin C. York's Papers. His work has been published in Film History, Literature/Film Quarterly, The Columbia Companion to Film, and several other journals.

"Contributes significantly to our understanding of how Warner Bros. crusaded against fascism from the middle 1930s to Pearl Harbor. Drawing on extensive archival research, Birdwell provides particularly lively discussions of Alvin York's conversion to interventionism during the making of Sergeant York and of the 1941 Nye-Clark Committee investigations of 'premature anti-fascism' in Hollywood." - Charles Maland,University of Tennessee "This study of the Warner Bros. Studio in relation to the coming of World War II will be a lasting contribution, not only on the impact of media on our nation's policiesa topic of concern for most thoughtful peoplebut also for academics in popular culture studies." - Peter Rollins,Editor-in-Chief, Film & History:An Interdisciplinary Journal of Film and Television Studies "Celluloid Soldiers contributes significantly to our understanding of how Warner Bros. crusaded against fascism from the middle 1930s to Pearl Harbor. Drawing on extensive archival research, Birdwell provides particularly lively discussions of Alvin York's conversion to interventionism during the making of Sergeant York and of the 1941 Nye-Clark Committee investigations of 'premature anti-fascism' in Hollywood." - Charles Maland,University of Tennessee "A compact, compelling, and controversial as a Warner Bros. classic. . . . A strongly executed tour de force." (Journal of American History) "Birdwell fruitfully charts the film company's laudable and outspoken stance against Nazism amid the politically charged yet divided loyalties of 1930s' Hollywood." (History (The Journal of the Historical Association),Oct. 2001)