'… scholarly and feisty book … Shell argues a powerful and painstaking case that the celebrated plays of Webster, Tourneur and Middleton are best read as vicious anti-Catholic polemics, making extensive use of images from Revelations to convince a Protestant audience that Italian Catholicism really was a serious threat to their safety … There can be few readers who will fail to rethink their understanding of English culture after reading this splendid book.' The Times Literary Supplement