Anton Pujol is an associate professor of Spanish at the University of North Carolina at Charlotte. Jaume Martí-Olivella is an associate professor of Hispanic film and cultural studies at the University of New Hampshire.

• AcknowledgmentsList of IllustrationsIntroductionAnton Pujol and Jaume Martí-Olivella Part One: The Mavericks and the Barcelona School1. Future Seeds: Some Considerations on the Cinema around Barcelona 92Angel Quintana Part Two: The Jordà Legacy2. The Hunter and the Monkeys: Jacinto Esteva, Joaquim Jordà, and the Legacy of the Barcelona SchoolEsteve Riambau3. Jordà’s Last Trilogy: Situationist Turn and Subject TransformationIgnasi Gozalo-Salellas4. The Militant Cinema of Joaquim Jordà Steven MarshPart Three: The Portabella Nexus5. Economies of Sound: Labouring Europe in Pere Portabella and Carles SantosSara Nadal-Melsió6. Pere Portabella’s Radical Theatricality: A Political Gaze Over Two TransitionsJaume Martí-Olivella7. Traversing the Real with the Reel: Pere Portabella’s Vampir.Cuadecuc and Albert Serra’s Història de la meva mort Infrapolitical SpectralityTeresa M. VilarósPart Four: The New (Post) Avant-Garde8. Beyond Melancholy: The Post-Avant-Garde Cinema of José Luis GuerínJosep Maria Català9. On the Threshold of the Diegetic World: Optical and Haptic Visuality in Elisa KEva Bru10. Watching Novels and Reading Films: Deleuzian Affects in Catalan CinemaAnton PujolPart Five: Minimalism and Beyond11. Formal Disruption, Minutiae, and Absence in the Films of Jaime RosalesAgustín Rico-Albero12. Identitykit: Where Do We Meet Isaki LacuestaJosetxo Cerdán and Miguel Fernández LabayenContributorsIndex Edition Statement (e.g. "2nd Edition"):

Anton Pujol is an associate professor of Spanish at the University of North Carolina at Charlotte. Jaume Martí-Olivella is an associate professor of Hispanic film and cultural studies at the University of New Hampshire.

• AcknowledgmentsList of IllustrationsIntroductionAnton Pujol and Jaume Martí-Olivella Part One: The Mavericks and the Barcelona School1. Future Seeds: Some Considerations on the Cinema around Barcelona 92Angel Quintana Part Two: The Jordà Legacy2. The Hunter and the Monkeys: Jacinto Esteva, Joaquim Jordà, and the Legacy of the Barcelona SchoolEsteve Riambau3. Jordà’s Last Trilogy: Situationist Turn and Subject TransformationIgnasi Gozalo-Salellas4. The Militant Cinema of Joaquim Jordà Steven MarshPart Three: The Portabella Nexus5. Economies of Sound: Labouring Europe in Pere Portabella and Carles SantosSara Nadal-Melsió6. Pere Portabella’s Radical Theatricality: A Political Gaze Over Two TransitionsJaume Martí-Olivella7. Traversing the Real with the Reel: Pere Portabella’s Vampir.Cuadecuc and Albert Serra’s Història de la meva mort Infrapolitical SpectralityTeresa M. VilarósPart Four: The New (Post) Avant-Garde8. Beyond Melancholy: The Post-Avant-Garde Cinema of José Luis GuerínJosep Maria Català9. On the Threshold of the Diegetic World: Optical and Haptic Visuality in Elisa KEva Bru10. Watching Novels and Reading Films: Deleuzian Affects in Catalan CinemaAnton PujolPart Five: Minimalism and Beyond11. Formal Disruption, Minutiae, and Absence in the Films of Jaime RosalesAgustín Rico-Albero12. Identitykit: Where Do We Meet Isaki LacuestaJosetxo Cerdán and Miguel Fernández LabayenContributorsIndex Edition Statement (e.g. "2nd Edition"):

Anton Pujol is an associate professor of Spanish at the University of North Carolina at Charlotte. Jaume Martí-Olivella is an associate professor of Hispanic film and cultural studies at the University of New Hampshire.

• AcknowledgmentsList of IllustrationsIntroductionAnton Pujol and Jaume Martí-Olivella Part One: The Mavericks and the Barcelona School1. Future Seeds: Some Considerations on the Cinema around Barcelona 92Angel Quintana Part Two: The Jordà Legacy2. The Hunter and the Monkeys: Jacinto Esteva, Joaquim Jordà, and the Legacy of the Barcelona SchoolEsteve Riambau3. Jordà’s Last Trilogy: Situationist Turn and Subject TransformationIgnasi Gozalo-Salellas4. The Militant Cinema of Joaquim Jordà Steven MarshPart Three: The Portabella Nexus5. Economies of Sound: Labouring Europe in Pere Portabella and Carles SantosSara Nadal-Melsió6. Pere Portabella’s Radical Theatricality: A Political Gaze Over Two TransitionsJaume Martí-Olivella7. Traversing the Real with the Reel: Pere Portabella’s Vampir.Cuadecuc and Albert Serra’s Història de la meva mort Infrapolitical SpectralityTeresa M. VilarósPart Four: The New (Post) Avant-Garde8. Beyond Melancholy: The Post-Avant-Garde Cinema of José Luis GuerínJosep Maria Català9. On the Threshold of the Diegetic World: Optical and Haptic Visuality in Elisa KEva Bru10. Watching Novels and Reading Films: Deleuzian Affects in Catalan CinemaAnton PujolPart Five: Minimalism and Beyond11. Formal Disruption, Minutiae, and Absence in the Films of Jaime RosalesAgustín Rico-Albero12. Identitykit: Where Do We Meet Isaki LacuestaJosetxo Cerdán and Miguel Fernández LabayenContributorsIndex Edition Statement (e.g. "2nd Edition"):