Del i serien Routledge Literary Studies in Social Justice

Capitalist Modernity, Dissident Metaphors

Subversive Strategy in Transatlantic Literatures

Inbunden, Engelska, 2026

3 329 kr

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Capitalist Modernity analyzes expressive commonalities across dissident cultures of the contemporary transatlantic.The book coheres around shared use of subversive metaphors in Africa and the Americas, offering close study of select texts in Nigeria, Peru, and the United States. Montesano articulates his view of texts as speech-producing social actors, engaging racial capitalist theory as essential context for his global comparative analysis.With readings of works by James Baldwin, Joy Harjo, Ralph Ellison, Alonso Cueto, Ogaga Ifowodo, and Sonia Sanchez with Sweet Honey in the Rock, the project investigates the political significance of subversive arts on the one hand, and the mediated nature of their impact on the other.In its scrutiny of literature’s capacities and its constraints in the political sphere, the book helps artists, educators, and general readers make better use of its powers.

Produktinformation

Utgivningsdatum2026-08-31
Mått152 x 229 x undefined mm
Vikt453 g
FormatInbunden
SpråkEngelska
SerieRoutledge Literary Studies in Social Justice
Antal sidor200
FörlagTaylor & Francis Ltd
ISBN9781032795522

Tillhör följande kategorier

Litteraturvetenskap inom Skönlitteratur
Kulturvetenskap inom Samhälle och politik
Etnicitet inom Samhälle och politik
Sociologi inom Samhälle och politik

Michael C. Montesano (PhD, Indiana University) was Postdoctoral Research Associate and Lecturer at Princeton’s University’s Program in African Studies, 2022-2024. His peer-reviewed articles and book chapters appear in Journal of the African Literature Association, Research in African Literatures, African Conflict and Peacebuilding Review, and New Criticism and Pedagogical Directions for Contemporary Black Women Writers.

Introduction: Subversive Tropes, Critical Theories, and their Movements, Chapter 1: Peace is War: Dissident Figurations in the Racial Capitalist Atlantic, Chapter 2: White Supremacy’s Basic Duplicity: Society’s War in Ralph Ellison’s Essays, Narrative Irony in Invisible Man, Chapter 3: Alonso Cueto’s Narrative Mediations: Racial Fluidity, Sexual Violence, and Reconciliation’s Impasse in La hora azul, Chapter 4: The Hangman Gets the Last Word: Reflexive Subversions of Petro-imperialism in Ogaga Ifowodo’s The Oil Lamp, Chapter 5: Womanist Poetry as Emancipatory Imaginary: “Stay on the Battlefield” by Sonia Sanchez and Sweet Honey in the Rock, Epilogue: Freedom Dreaming Beyond the Text or, After Speech, Bibliography